VARIOUS - Bills & Aches & Blues (40 Years Of 4AD) - 2LP - Vinyl

Label: 4AD SKU: 14703 Catalogue ID: 4AD0358LP Format:
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VARIOUS - Bills & Aches & Blues (40 Years Of 4AD) - 2LP - Vinyl

VARIOUS - Bills & Aches & Blues (40 Years Of 4AD) - 2LP - Vinyl





BARCODE: 191400035812



Side 1:
01 Tkay Maidza – Where Is My Mind? (Pixies)
02 U.S. Girls – Junkyard (The Birthday Party)
03 Aldous Harding – Revival (Deerhunter)
04 The Breeders – Dirt Eaters (His Name Is Alive)
05 Maria Somerville – Seabird (Air Miami)

Side 2:
06 Tune-Yards – Cannonball (The Breeders)
07 Spencer. – Genesis (Grimes)
08 Helado Negro – Futurism (Deerhunter)
09 Efterklang – Postal (Piano Magic)
10 Bing And Ruth – Gigantic (Pixies)

Side 3:
11 Future Islands – The Moon Is Blue (Colourbox)
12 Jenny Hval – Sunbathing (Lush)
13 Dry Cleaning – Oblivion (Grimes)
14 Bradford Cox – Mountain Battles (The Breeders)

Side 4:
15 SOHN – Song To The Siren (Tim Buckley)
16 Becky And The Birds – The Wolves Act I And II (Bon Iver)
17 Ex:Re – Misery Is A Butterfly (Blonde Redhead)
18 Big Thief – Off You (The Breeders)

– Bills & Aches & Blues (40 Years Of 4AD)

2LP – Black Vinyl

In 2020, 4AD turned 40. Never one to be on time for a party, the label is commemorating that landmark this year with the release of Bills and Aches and Blues. The compilation features 18 of its current artists covering a song of their choosing from 4AD’s past: a creative experiment rooted in the spirit of collaboration and a snapshot of 4AD, 41 years after its inception.

Bills and Aches and Blues’ 18 recordings contain fascinating connections between artist and track. The earliest song chosen (by U.S. Girls) is The Birthday Party’s Junkyard, from 1981; the most recent are the two Grimes covers (‘Genesis’ and ‘Oblivion’, respectively by Spencer. and Dry Cleaning) from 2012. Suitably, for the one band that bridges 4AD past and present, The Breeders are all over Bills And Aches And Blues. They’re covered three times – ‘Cannonball’ by Tune-Yards, ‘Mountain Battles’ by Bradford Cox of Deerhunter and ‘Off You’ by Big Thief, whilst The Breeders cover ‘The Dirt Eaters’ by their ‘90s contemporaries His Name Is Alive.

Landmark songs such as ‘Cannonball’, ‘Song To The Siren’ and Pixies’ ‘Where is My Mind?’, will feel comfortable to casual fans, however by contrast, much joy can be found in the album’s surprise choices, such as Air Miami’s ‘Seabird’ and the Lush B-side ‘Sunbathing’, covered respectively by new signings Maria Somerville and Jenny Hval.

Bills and Aches and Blues is named, arguably (as Elizabeth Fraser never published the lyrics) after the opening line of Cocteau Twins ‘Cherry-Coloured Funk’. Perhaps too unique and uncoverable in their own right, their legendary take on Tim Buckley’s ‘Song To The Siren’, under the name This Mortal Coil (along with Buckley’s pre-Starsailor acoustic version) informs SOHN’s cover.

Some tracks unearth hitherto hidden shared DNA, such as Future Islands’ and Colourbox’s ‘The Moon Is Blue’; other tracks are more akin to reinvention. Aldous Harding distils the melodic essence of Deerhunter’s ‘Revival’ and recasts it in her own uncanny image. U.S. Girls’ future-disco ‘Junkyard’ and Bing and Ruth’s neo-classical instrumental ‘Gigantic’ are even more radical interpretations. Leading off the album, Tkay Maidza brings both her Art Rap and R&B game, but also an unexpected ‘80s synth pop template, to Pixies’ ‘Where Is My Mind?’, a perfect title for these chaotic times.

See below for tracklisting…