ULTRASONIC GRAND PRIX - Instafuzz (Little Barrie & Shawn Lee) - LP - Vinyl - Dinked Edition #268

LP - Limited Dinked Edition #268:  

● Black, Blue & Gold triple colour vinyl *
● Colour print *
● Signed & hand-numbered edition *
● Limited pressing of 300 *

* = EXCLUSIVE to Dinked Edition

The story of Ultrasonic Grand Prix is one of two vintage 60s guitars and their owners - multi-instrumentalist / producer Shawn Lee and guitar maestro Barrie Cadogan of Little Barrie.

I love my 1967 Vox Grand Prix guitar,” declares multi-instrumentalist/producer Shawn Lee - creator, among other feats, of the soundtrack for Rockstar video game classic Bully, and one half of Ultrasonic Grand Prix.“ It is a serious beast and an important part of my arsenal. Every tone you need…’

For guitar maestro Barrie Cadogan - of Nottingham Freakbeaters Little Barrie, best known for the main title theme of ‘Better Call Saul’, The The, Liam Gallagher and playing on the soundtrack for Baz Luhrmann’s ‘Elvis’ - it was the Vox Ultrasonic, also from the same period, that caught his eye. “I first became interested in Vox guitars because of people who used them like Spacemen 3 and the James Brown band of the late 60’s”, he explains, “but it was when I was part of a recording session at Anton Newcombe’s studio in Berlin that I had chance to get to know the Vox gear better. I was borrowing an Ultrasonic from a friend for a while and Shawn already had his Grand Prix. I thought it would be a good name for our project whenever we got it going.’

“We’d been talking for years about making some kind of record. Cadogan explains, “but we were always being pulled in different directions with other commitments. Shawn got the ball rolling for real when lockdown happened, called me up and said, “You know we keep talking about doing a record, well the time is now”. I’m so glad he did.”

And the music that did emerge was weird, startling, and insatiably groovy. With one foot dipped in the organ-warbling garage of 60s psych, and the other vibrating in the mind-expanding fractals of the British Acid House boom, ‘INSTAFUZZ’ plies the earthly quintessence’s of blues, rock, soul and jazz, against the preternatural discomforts of programmed drums and unhinged synthesisers to produce something distinctly and nostalgically futuristic.

It’s a style that pays its debt to this project's launch-pad inspiration, 2012’s ‘Personal Space’ compilation. A collection of underground U.S 45s from the late 70s and early 80s fittingly dubbed ‘Electronic Soul’ - an appropriate descriptor, incidentally for these experiments from Ultrasonic Grand Prix.

With all the graininess of a documentary film compiled from bits and pieces of raw archive footage, INSTAFUZZ mashes various details and cuttings from its choice influences to invariably intriguing effects. The guitar twang-meets-intense synth of emphatic opener ‘Seamoon Rising’ is The Limiñanas at The Haçienda. At another extreme of the spectrum, ‘Green Means Go’ drifts into the neo-psychedelic waters of The Soundcarriers or Vanishing Twin - hauntological, uncanny, cruising into the wonders of egoless delirium, suspicion and atemporal intrigue. 

Tracklist: 

Side A
1. Seamoon Rising
2. Instafuzz
3. Triple Denim
4. Green Means Go
5. Right Left
6. 96 Tiers

Side B
1. Slippery When Chet
2. Tin Wolf
3. A Guy Called Harold
4. Pop Eyes
5. 22 Years I Worked For This Guitar
6. King Condor