STEVE REICH - Collected Works - 26 x CD / 1 x DVD - Box Set

Limited Edition 27 Disc Box Set (26CD's + DVD) in wallets, plus two booklets (132 and 120 pages). It includes new recordings, extensive essays, and a listener’s guide by pianist and composer Timo Andres.

Nonesuch Records releases Steve Reich Collected Works, a 27-disc box set featuring music recorded during his 40 years on the label. The collection represents six decades of Reich’s compositions, ranging from It’s Gonna Rain (1965) to first recordings of his two latest works: Jacob’s Ladder (2023) and Traveler’s Prayer (2020). Two extensive booklets contain new essays by longtime Nonesuch President Robert Hurwitz, conductor Michael Tilson Thomas, Steve Reich and Musicians percussionist Russell Hartenberger, producer Judith Sherman, and composer Nico Muhly, as well as a comprehensive listener’s guide by pianist and composer Timo Andres.

Nonesuch made its first record with Steve Reich in 1985. He was signed exclusively to the label that year, and since then the company has released 22 all-Reich albums, two retrospectives, and two remix releases.  Among his many honours, two of Reich’s Nonesuch records, Different Trains and Music for 18 Musicians, won Grammy Awards and his Double Sextet recording for the label won a Pulitzer Prize.

“I first heard Music for 18 Musicians when I was in my mid-twenties, at a moment when I was still in the process of figuring out my own taste in contemporary music. I wasn’t yet certain what modern classical music really meant, nor was I sure how it stacked up against work from the past.” Hurwitz says in his liner note. “Music for 18 Musicians was an event of such immense importance that it changed how I felt not only about Steve, but about minimalism, modernism and, in some respects, classical music. Music for 18 was a piece that could sweep listeners up with its non-stop kinetic activity, its opulent sound, its rhythmic invention, its stunning architecture. But only years later did I recognize what drew me in to such an intense degree: it was harmony.

“Here were the kinds of colors and voicings I loved in the earlier twentieth-century music of Stravinsky and Bartók and others, but had found missing in practically all of the new music I had been hearing for years. It was the key that unlocked the music of modern times for me,” Hurwitz continues. “It now seemed possible to love contemporary music. With Music for 18 Musicians, Steve suddenly flung open a door to the possibilities of what a modern composer could be in our time.”

Reich also has become a significant mentor of the younger generation of American composers. “This music is as part of my artistic ecosystem as air is to my respiratory system, and I can’t imagine saying anything about it which wouldn’t somehow get its importance wrong,” composer Nico Muhly says in his liner note. “Steve once told me that the trick is to ‘find your band’, the group of instruments that form the core of your musical language, and this is advice I pass on to all younger composers who cross my path.”

Composer and pianist Timo Andres adds, “It is Steve Reich, perhaps more than any other musician, who prefigured our ideas of a twenty-first- century composer... For audiences, too, Reich has proven that contemporary music can thrive outside the insular world of its own practitioners.

“On initial approach, Reich’s music appears both friendly and a little forbidding, its surfaces immaculate, polished, yet also playful and viscerally beautiful... It exudes a specific kind of energy in live performance as well,” he continues. “Watching an ensemble play Music for 18 Musicians, for example, one has the sense of observing a utopian society in miniature, a mass of people working towards a common goal with no apparent leader.”

Steve Reich has been called ‘the most original musical thinker of our time’ (New Yorker) and ‘among the great composers of the century’ (New York Times). Starting in the 1960s, his pieces It’s Gonna Rain, Drumming, Music for 18 Musicians, Tehillim, Different Trains, and many others helped shift the aesthetic center of musical composition worldwide away from extreme complexity and towards rethinking pulsation and tonal attraction in new ways. He continues to influence younger generations of composers and mainstream musicians and artists all over the world.

In addition to his Grammy Awards and Pulitzer Prize, Reich received the Praemium Imperiale in Tokyo, the Polar Music Prize in Stockholm, the Golden Lion at the Venice Biennale, the BBVA Foundation Frontiers of Knowledge award in Madrid, the Debs Composer’s Chair at Carnegie Hall, and the Gold Medal in Music from the American Academy of Arts and Letters. He has been named Commandeur de l’Ordre des Arts et des Lettres in France, and awarded honorary doctorates by the Royal College of Music in London, the Juilliard School in New York, and the Liszt Academy in Budapest, among others.

One of the most frequently choreographed composers, several noted choreographers have created dances to his music, including Anne Teresa de Keersmaeker, Jirí Kylián, Jerome Robbins, Justin Peck, Wayne McGregor, Benjamin Millepied, and Christopher Wheeldon.

Reich’s documentary video opera works – The Cave and Three Tales, done in collaboration with video artist Beryl Korot – opened new directions for music theater and have been performed on four continents. His work Quartet, for percussionist Colin Currie, sold out two consecutive concerts at Queen Elizabeth Hall in London shortly after tens of thousands at the Glastonbury Festival heard Jonny Greenwood (of Radiohead) perform Electric Counterpoint, followed by the London Sinfonietta performing his Music for 18 Musicians.

While Nonesuch recordings comprise 24 of the 27 discs in Collected Works, the set also includes recordings licensed from other labels: Mahan Esfahani’s recording of Piano Phase (Deutsche Grammophon); Ensemble Avantgarde’s recording of Pendulum Music (Wergo); Art Murphy, Jon Gibson, Steve Chambers, Philip Glass, and Steve Reich’s recording of Four Organs and Murphy, Gibson, Chambers, and Reich’s recording of Phase Patterns (Shandar); Andreas Hartmann and Waltraut Wächter’s recording of Duet with MDR-Sinfonieorchester led by Kristjan Järvi (Sony 2 Classical); Steve Reich and Musicians’ recordings of Music for Mallet Instruments, Voices and Organ and Six Pianos (Deutsche Grammophon); San Francisco Symphony and conductor Edo de Waart’s recording of Variations for Winds, Strings and Keyboards (Philips); Ransom Wilson’s recording of Vermont Counterpoint (Angel); and Ensemble Signal’s recording of Music for 18 Musicians (Harmonia Mundi).

Tracklist:

Disc 1 – Early Works
Come Out (1966) 
Piano Phase (1967) 
Double Edge 
Nurit Tilles, Edmund Niemann, pianos 
Clapping Music (1972) 
Russell Hartenberger, Steve Reich, hand claps 
It’s Gonna Rain (1965) 
Part I 
Part II 

Disc 2 – Early Works II
Piano Phase (1967) 
Version for harpsichord by Mahan Esfahani (2014) 
Mahan Esfahani, harpsichord 
Pendulum Music (1968) 
Ensemble Avantgarde 
Martin Demmler, Steffen Schleiermacher, performers 
Four Organs (1970) 
Art Murphy, Philip Glass, Steve Chambers, Steve Reich, electric organs 
Jon Gibson, maracas 
Phase Patterns (1970) 
Art Murphy, Jon Gibson, Steve Chambers, Steve Reich, electric organs

Disc 3 – Drumming
Drumming (1970–71) 
Part I 
Part II 
Part III 
Part IV 
Steve Reich and Musicians 
Bob Becker, Ben Harms, Russell Hartenberger, Garry Kvistad, James Preiss, Steve Reich, Gary Schall, Glen Velez, Thad Wheeler, tuned drums, marimbas, glockenspiels 
Pamela Wood Ambush, Jay Clayton, voices 
Steve Reich, whistling 
Mort Silver, piccolo

Disc 4 – Early Works III
Duet (1993) 
Andreas Hartmann, Waltraut Wächter, violins 
MDR-Sinfonieorchester 
Kristjan Järvi, conductor 
Music for Mallet Instruments, Voices and Organ (1973) 
Steve Reich and Musicians 
Russell Hartenberger, Bob Becker, Tim Ferchen, Steve Reich, marimbas 
Glen Velez, Ben Harms, glockenspiels 
James Preiss, metallophone 
Janice Jarrett, Joan LaBarbara, voices (long tones) 
Jay Clayton, voice (melodic patterns) 
Steve Chambers, electric organ 
Six Pianos (1973) 
Steve Reich and Musicians 
Steve Chambers, James Preiss, Russell Hartenberger, Bob Becker, Steve Reich, 
Glen Velez, pianos 
Variations for Winds, Strings and Keyboards (1979) 
San Francisco Symphony 
Edo de Waart, conductor 
Vermont Counterpoint (1982) 
Ransom Wilson, piccolo, flute, alto flute 

Disc 5 – Music For 18 Musicians 
Music for 18 Musicians (1974–76) 
Pulses 
Section I 
Section II 
Section IIIA 
Section IIIB 
Section IV 
Section V 
Section VI 
Section VII 
Section VIII 
Section IX 
Section X 
Section XI 
Pulses II 
Steve Reich and Musicians 
Rebecca Armstrong, Marion Beckenstein, Cheryl Bensman-Rowe, voices 
Jay Clayton, voice, piano 
Russell Hartenberger, Bob Becker, Tim Ferchen, marimbas, xylophones 
James Preiss, vibraphone, piano 
Garry Kvistad, marimba, xylophone, piano 
Steve Reich, marimba, piano 
Thad Wheeler, marimba, maracas 
Nurit Tilles, Edmund Niemann, pianos 
Philip Bush, piano, maracas 
Elizabeth Lim, violin 
Jeanne LeBlanc, cello 
Leslie Scott, Evan Ziporyn, clarinets, bass clarinets 

Disc 6 – New York Counterpoint, Eight Lines, Four Organs
New York Counterpoint (1985) 
I. Fast 
II. Slow 
III. Fast 
Evan Ziporyn, clarinet, bass clarinet 
Eight Lines (Octet) [1979]  
Bang on a Can 
Todd Reynolds, Gregor Kitzis, Jaqueline Carrasco, Elizabeth Knowles, violins 
Martha Mook, Ron Lawrence, violas 
Mark Stewart, Greg Passelink, cellos 
Patti Monson, David Fedele, flutes, piccolos 
Michael Lowenstern, Evan Ziporyn, clarinets, bass clarinets 
Edmund Niemann, Nurit Tilles, pianos 
Brad Lubman, conductor 
Four Organs (1970) 
Bang on a Can 
Michael Gordon, Lisa Moore, Mark Stewart, Evan Ziporyn, electric organs 
James Preiss, maracas 

Disc 7 – Tehillim / Three Movements 
Tehillim (1981) 
Part I (Fast) 
Part II (Fast) 
Part III (Slow) 
Part IV (Fast) 
Schönberg Ensemble 
with Percussion Group The Hague 
Barbara Borden, Tannie Willemstijn, sopranos 
Yvonne Benschop, Ananda Goud, mezzo-sopranos 
Reinbert de Leeuw, conductor 
Three Movements (1986) 
Movement I: ♩= 176 
Movement II: ♩= 88 
Movement III: ♩= 176 
London Symphony Orchestra 
Neil Percy, Simon Carrington, Ray Northcott, Frank Ricotti, Clive Malabar, percussion 
Michael Tilson Thomas, conductor 

Disc 8 – The Desert Music 
The Desert Music (1983) 
Text by William Carlos Williams 
First Movement (Fast) 
Second Movement (Moderate) 
Third Movement: Part One (Slow) 
Third Movement: Part Two (Moderate) 
Third Movement: Part Three (Slow) 
Fourth Movement (Moderate) 
Fifth Movement (Fast) 
Steve Reich and Musicians 
Chorus and members of the Brooklyn Philharmonic 
Russell Hartenberger, Robert Becker, Glen Velez, Garry Kvistad, principal percussion 
Julie Rosenfeld*, concertmaster 
Deborah Redding*, principal second violin 
Francesca Martin*, principal viola 
Sharon Palmer*, principal cello 
Donald Palma, principal bass 
* Colorado Quartet 
Cheryl Bensman-Rowe, choral contractor 
Michael Tilson Thomas, conductor 

Disc 9 – Sextet / Six Marimbas
Sextet (1985) 

I. 
II. 
III. 
IV. 
V. 
Steve Reich and Musicians 
with members of Nexus* 
Bob Becker*, Russell Hartenberger*, Garry Kvistad, Glen Velez, marimbas, vibraphones, 
bass drums, crotales, tam-tam, sticks 
Edmund Niemann, Nurit Tilles, pianos, synthesizers 
Six Marimbas (1986)  
Transcribed from Six Pianos (1973) by James Preiss 
Steve Reich and Musicians 
with members of Manhattan Marimba Quartet* 
Bob Becker, Russell Hartenberger, Kory Grossman*, James Preiss*, Bill Ruyle*, 
William Trigg*, marimbas 

Disc 10 – Different Trains / Electric Counterpoint 
Different Trains (1988) 
America – Before the war 
Europe – During the war 
After the war 
Kronos Quartet 
David Harrington, violin 
John Sherba, violin 
Hank Dutt, viola 
Joan Jeanrenaud, cello 
Electric Counterpoint (1987) 
I. Fast 
II. Slow 
III. Fast 
Pat Metheny, electric guitar, bass guitar 

Disc 11 – The Four Sections / Music For Mallet Instruments, Voice And Organ
The Four Sections (1987) 
I. Strings (with Winds and Brass): ♩= 80 
II. Percussion: ♩= 80 
III. Winds and Brass (with Strings): ♩= 120 
IV. Full Orchestra: ♩= 180 
London Symphony Orchestra 
with 
Bob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion 
Edmund Niemann, Nurit Tilles, pianos 
Michael Tilson Thomas, conductor 
Music for Mallet Instruments, Voices and Organ (1973)  
Steve Reich and Musicians 
Bob Becker, Tom Ferchen, Russell Hartenberger, Steve Reich, marimbas 
Garry Kvistad, Thad Wheeler, glockenspiels 
James Preiss, vibraphone 
Nurit Tilles, electric organ 
Pamela Wood Ambush, Rebecca Armstrong, voices (long tones) 
Jay Clayton, voice (melodic patterns) 

Disc 12 & 13 – The Cave 
The Cave (1990–93) 
Music by Steve Reich 
Video/Text by Beryl Korot 
DISC 12 
Act 1 
Typing Music (Genesis XVI) 
Who Is Abraham? 
Genesis XII 
Who Is Sarah? 
Who Is Hagar? 
Typing Music Repeat 
Who Is Ishmael? 
Genesis XVIII 
Who Is Isaac? 
Genesis XXI 
The Casting Out of Ishmael and Hagar 
Machpelah Commentary 
Genesis XXV 
(chanted in Hebrew from the Torah by Ephraim Isaac) 
Interior of the Cave 
Act 2 
East Jerusalem / Hebron (June 1989 and June 1991) 
Surah 3 
(chanted in Arabic from the Koran by Sheikh Dahoud Atalah, Muqri of Al-Aksa mosque) 

DISC 13 
Act 2 (continued) 
Who Is Ibrahim? 
Who Is Hajar? 
The Near Sacrifice 
El Khalil Commentary 
Interior of the Cave 
Act 3 
New York City / Austin (April–May 1992) 
Who Is Abraham? 
Who Is Sarah? 
Who Is Hagar? 
Who Is Ishmael? 
The Binding of Isaac 
The Cave of Machpelah 
The Steve Reich Ensemble 
Cheryl Bensman-Rowe, Marion Beckenstein, sopranos 
James Bassi, tenor 
Hugo Munday, baritone 
Bob Becker, Russell Hartenberger, Garry Kvistad, Thad Wheeler, percussion 
Nurit Tilles, Edmund Niemann, Philip Bush, pianos, keyboards 
Elizabeth Lim, Todd Reynolds, violins 
Scott Rawls, viola 
Jeanne LeBlanc, cello 
Leslie Scott, Al Hunt, flutes, oboe, English horn, clarinet, bass clarinet 
Paul Hillier, conductor 

Disc 14 – Proverb / Nagoya Marimbas / City Life
Proverb (1995) 
Text by Ludwig Wittgenstein 
Theatre of Voices 
Andrea Fullington, Sonja Rasmussen, Allison Zelles Lloyd, sopranos 
Alan Bennett, Paul Elliott, tenors 
with members of The Steve Reich Ensemble 
Russell Hartenberger, Bob Becker, vibraphones 
Nurit Tilles, Edmund Niemann, electric organs 
Paul Hillier, conductor 
Nagoya Marimbas (1994) 
Bob Becker, James Preiss, marimbas 
City Life (1995) 
“Check it out” 
Pile Driver / alarms 
“It’s been a honeymoon — Can’t take no mo’” 
Heartbeats / boats & buoys 
V. “Heavy smoke” 
The Steve Reich Ensemble 
David Fedele, Gen Shin Kai, flutes 
Jackie Leclair, Matthew Sullivan, oboes 
Leslie Scott, Mike Lowenstern, clarinets 
Russell Hartenberger, Bob Becker, vibraphones 
Garry Kvistad, percussion 
Nurit Tilles, Philip Bush, sampling keyboards 
Edmund Niemann, Lisa Moore, pianos 
Elizabeth Lim, Todd Reynolds, violins 
Lois Martin, viola 
Jeanne LeBlanc, cello 
Jay Elfenbein, bass 
Brad Lubman, conductor 

Disc 15 – Triple Quartet
Triple Quartet (1998) 
First Movement 
Second Movement 
Third Movement 
Kronos Quartet 
David Harrington, violin 
John Sherba, violin 
Hank Dutt, viola 
Jennifer Culp, cello 
Electric Guitar Phase (2000) 
Arranged from Violin Phase (1967) by Dominic Frasca 
Dominic Frasca, electric guitar 
Music for a Large Ensemble (1978) 
Alarm Will Sound 
and Ossia 
Alan Pierson, vibraphone 
Dennis DeSantis, Chris Vatalaro, Payton MacDonald, Mike Robbins, marimbas 
Alexander Postelnek, Clay Greenberg, xylophones 
Ian Quinn, Thomas Rosenkranz, Paul Vasile, Fang-Tzu Liu, pianos 
Brianna Winters, Martha Cluver, voices 
Laura Motchalov, Paul Yaeger, Caleb Burhans, Yasmin Craig, violins 
Amelia Hollander, Paul Miller, violas 
Stefan Freund, Susie Kelly, cellos 
Ike Sturm, Brent Bulmann, basses 
Brian Hermanson, Miranda Dohrman, clarinets 
Jessica Johnson, flute 
Todd Rewoldt, Josh Rutner, soprano saxophones 
Jason Price, Eli Asher, Brent Madsen, Will Jennings, trumpets 
Alan Pierson, conductor 
Tokyo/Vermont Counterpoint (2000) 
Arranged from Vermont Counterpoint (1982) by Mika Yoshida 
Mika Yoshida, MIDI marimba 

Discs 16-17 – Three Tales
Three Tales (2002) 
Music by Steve Reich 
Video by Beryl Korot 

DISC 16 Three Tales (CD) 
Part I: Hindenburg 
It Could Not Have Been a Technical matter (DVD Only) 
Nibelung Zeppelin 
A Very Impressive Thing to See 
I Couldn’t Understand It 
Part II: Bikini 
In the Air – 1 
The Atoll – 1 
On the Ships – 1 
In the Air – 2 
The Atoll – 2 
On the Ships – 2 
In the Air – 3 
The Atoll – 3 
On the Ships – 3 
Coda 
Part III: Dolly 
Cloning 
Dolly 
Human Body Machine 
Darwin 
Interlude 
Robots/Cyborgs/Immortality 
The Steve Reich Ensemble 
Bob Becker, Russell Hartenberger, Garry Kvistad, James Preiss, percussion 
Elizabeth Lim Dutton, Todd Reynolds, violins 
Scott Rawls, viola 
Jeanne LeBlanc, cello 
Edmund Niemann, Nurit Tilles, pianos, keyboards 
Synergy Vocals 
Micaela Haslam, director 
“Hindenburg”: 
Olive Simpson, Micaela Haslam, sopranos 
Ashley Catling, Stephen Trowell, Rob Kearley, tenors 
“Bikini,” “Dolly”: 
Amanda Morrison, Micaela Haslam, sopranos 
Gerard O’Beirne, Andrew Busher, Phillip Conway-Brown, tenors 
Brad Lubman, conductor 

DISC 17 Three Tales (DVD) 
Three Tales 
A Theater of Ideas 
Steve Reich and Beryl Korot interviewed by David Allenby 
Dolly Interviewees 
Brief biographies, in order of appearance 
Outtake 
Original Act I, Scene 2 (deleted) 
Brad Conducting 
Video recorded in December 2002 at Hebbel Theater, Berlin, Germany 
Performed by Ensemble Modern 

Disc 18 – You Are (Variations)
You Are (Variations) (2004) 
You Are Wherever Your Thoughts Are 
Shiviti Hashem L’Negdi 
(I Place the Eternal Before Me) 
Explanations Come to an End Somewhere 
Ehmor M’aht, V’ahsay Harbay 
(Say Little and Do Much) 
Los Angeles Master Chorale 
Phoebe Alexander, Tania Batson, Claire Fedoruk, Rachelle Fox, Marie Hodgson, Emily Lin, sopranos 
Sarona Farrell, Amy Fogerson, Alice Murray, Nancy Sulahian, Kim Switzer, Tracy Van Fleet, altos 
Pablo Corá, Joseph Golightly, Shawn Kirchner, Sean McDermott, Fletcher Sheridan, 
Kevin St. Clair, tenors 
Geri Ratella, Sara Weisz, flutes 
Joan Elardo, Joel Timm, oboes 
James Faschia, Helen Goode-Castro, Larry Hughes, clarinets 
Gloria Cheng, Lisa Edwards, Brian Pezzone, Vicki Ray, pianos 
Wade Culbreath, Michael Englander, John Magnussen, Tom Raney, marimbas, vibraphones 
Tamara Hatwan, Ralph Morrison, Susan Reddish, first violins 
Samuel Fischer, Julie Rogers, Steve Schart, second violins 
Darren McCann, Victoria Miskolcsky, Catherine Reddish, violas 
Delores Bing, Maurice Grants, Roger LeBow, cellos 
Oscar Hidalgo, bass 
Grant Gershon, conductor 
Cello Counterpoint (2003) 
Maya Beiser, cello 

Disc 19 – Daniel Variations
Daniel Variations (2006) 
I saw a dream 
My name is Daniel Pearl 
(I’m a Jewish American from Encino, California) 
Let the dream fall back on the dreaded 
I sure hope Gabriel likes my music, when the day is done 
Los Angeles Master Chorale 
Tania Batson, Karen Hogle Brown, Claire Fedoruk, Rachelle Fox, Marie Hodgson, 
Emily Lin, sopranos 
Pablo Corá, Jody Golightly, Shawn Kirchner, Michael Lichtenauer, Kevin St. Clair, 
George Sterne, tenors 
Gary Bovyer, Michael Grego, clarinets 
Gloria Cheng, Vicki Ray, Brian Pezzone, Lisa Edwards, keyboards 
Theresa Dimond, Thomas Raney, Wade Culbreath, Michael Englander, John Magnussen, 
Mark Zimoski, percussion 
Elizabeth Lim Dutton*, Todd Reynolds*, violins 
Scott Rawls*, viola 
Eugene Moye*, cello 
* members of The Steve Reich Ensemble 
Grant Gershon, conductor 
Variations for Vibes, Pianos and Strings (2005) 
Fast 
Slow 
Fast 
London Sinfonietta 
Quartet 1 
David Alberman, Jonathan Morton, violins 
Paul Silverthorne, viola 
Timothy Gill, cello 
Quartet 2 
Joan Atherton, Simon Smith, violins 
Jane Atkins, viola 
Lionel Handy, cello 
Quartet 3 
Miranda Fulleylove, Elizabeth Wexler, violins 
James Boyd, viola 
Sally Pendlebury, cello 
John Constable, Shelagh Sutherland, pianos 
David Hockings, Owen Gunnell, Sam Walton, Alex Neal, vibraphones 
Alan Pierson, conductor 

Disc 20 – Double Sextet / 2x5
Double Sextet (2007) 
Fast 
Slow 
Fast 
eighth blackbird 
Tim Munro, flute 
Michael J. Maccaferri, clarinet 
Matt Albert, violin 
Nicholas Photinos, cello 
Matthew Duvall, vibraphone 
Lisa Kaplan, piano 
2x5 (2008) 
Fast 
Slow 
Fast 
Bang on a Can 
Bryce Dessner, Mark Stewart, electric guitars 
Robert Black, electric bass 
Evan Ziporyn, piano 
David Cossin, drums 

Disc 21 – WTC 9/11, Mallet Quartet, Dance Patterns
WTC 9/11 (2010) 
I. 9/11 
II. 2010 
III. WTC 
Kronos Quartet 
David Harrington, violin 
John Sherba, violin 
Hank Dutt, viola 
Jeffrey Zeigler, cello 
Mallet Quartet (2009) 
I. Fast 
II. Slow 
III. Fast 
Sō Percussion 
Eric Beach, Jason Treuting, vibraphones 
Josh Quillen, Adam Sliwinski, marimbas 
Dance Patterns (2002) 
James Preiss, Thad Wheeler, vibraphones 
Frank Cassara, Garry Kvistad, xylophones 
Edmund Niemann, Nurit Tilles, piano 

Disc 22 – Radio Rewrite
Electric Counterpoint (1987) 
I. Fast 
II. Slow 
III. Fast 
Jonny Greenwood, guitar, bass guitar 
Piano Counterpoint (2011) 
Arrangement of Six Pianos (1973) for piano and tape by Vincent Corver 
Vicky Chow, piano 
Radio Rewrite (2012) 
I. Fast 
II. Slow 
III. Fast 
IV. Slow 
V. Fast 
Alarm Will Sound 
Erin Lesser, flute 
Elisabeth Stimpert, clarinet 
Christopher Thompson, Matt Smallcomb, vibraphones 
John Orfe, Michael Harley, pianos 
Courtney Orlando, Caleb Burhans, violins 
Nathan Schram, viola 
Stefan Freund, cello 
Miles Brown, electric bass 
Alan Pierson, conductor 

Disc 23 – Pulse / Quartet 
Pulse (2015) 
International Contemporary Ensemble 
Josh Modney, Gabby Diaz, Michi Wiancko, Pauline Kim, violins 
Kyle Armbrust, Wendy Richman, violas 
Claire Chase, Alice Teyssier, flutes 
Joshua Rubin, Campbell MacDonald, clarinets 
Jacob Greenberg, piano 
Greg Chudzik, bass 
Quartet (2013) 
I. Fast 
II. Slow 
III. Fast 
Colin Currie Group 
Colin Currie, Sam Walton, vibraphones 
Philip Moore, Simon Crawford-Phillips, pianos 

Disc 24 – Runner / Music For Ensemble And Orchestra
Runner (2016) 
I. Sixteenths 
II. Eighths 
III. Quarters 
IV. Eighths 
V. Sixteenths 
Los Angeles Philharmonic 
Martin Chalifour, Nathan Cole, first violins 
Mark Kashper, Kristine Whitson, second violins 
Teng Li, Dale Hikawa Silverman, violas 
Robert deMaine, Ben Hong, cellos 
Christopher Hanulik, bass 
Denis Bouriakov, Elise Shope Henry, flutes 
Jonathan Fischer, Anne Marie Gabriele, oboes 
Burt Hara, Andrew Lowy, clarinets 
Matthew Howard, Wesley Sumpter, percussion 
Joanne Pearce Martin, Vicki Ray, keyboards 
Susanna Mälkki, conductor 
Music for Ensemble and Orchestra (2018) 
I. Sixteenths 
II. Eighths 
III. Quarters 
IV. Eighths 
V. Sixteenths 
Los Angeles Philharmonic 
Ensemble 
Martin Chalifour, Nathan Cole, first violins 
Lyndon Johnston Taylor, Mark Kashper, second violins 
Teng Li, Dale Hikawa Silverman, violas 
Robert deMaine, Ben Hong, cellos 
Christopher Hanulik, Oscar M. Meza, basses 
Theodore Henry III, electric bass 
Denis Bouriakov, Elise Shope Henry, flutes 
Ramón Ortega, Anne Marie Gabriele, oboes 
Boris Allakhverdyan, Andrew Lowy, clarinets 
Matthew Howard, Eduardo Meneses, percussion 
Joanne Pearce Martin, Gavin Martin, keyboards 
Orchestra 
Akiko Tarumoto, Rebecca Reale, Michele Bovyer, Camille Avellano, Jin-Shan Dai, Mischa Lefkowitz, 
Edith Markman, Stacy Wetzel, Eduardo Rios, Cheryl Brick-Norman, first violins 
Dale Breidenthal, Ingrid Chun, Tianyun Jia, Nickolai Kurganov, Johnny Lee, Varty Manouelian, 
Michelle Tseng, Sooah Kim, second violins 
Ben Ullery, Dana Lawson, Michael Larco, Hui Liu, Minor L. Wetzel, Andrew François, violas 
Dahae Kim, Barry Gold, Jason Lippmann, Gloria Lum, cellos 
Thomas Hooten, James Wilt, Christopher Still, Marissa Benedict, trumpets 
Stephen Biagini, Kenneth Bonebrake, Kazue Asawa McGregor, Benjamin Picard, KT Somero, 
librarians 
Susanna Mälkki, conductor 

Disc 25 – Reich/Richter
Reich/Richter (2019) 
Opening 
Patterns & scales 
Cross fades 
Ending 
Ensemble intercontemporain 
Emmanuelle Ophèle, Sophie Cherrier, flutes 
Philippe Grauvogel, Didier Pateau, oboes 
Martin Adámek, Jérôme Comte, clarinets 
Benoît Maurin, Samuel Favre, vibraphones 
Hidéki Nagano, Géraldine Dutroncy, pianos 
Diego Tosi, Jeanne-Marie Conquer, violins 
John Stulz, viola 
Eric-Maria Couturier, cello 
George Jackson, conductor 

Disc 26 – Jacob’s Ladder / Traveler’s Prayer
Jacob’s Ladder (2023)
Genesis 28:12 
Vayachalom 
(And he dreamed) 
V’hinei, sulam mutzav artza 
(And behold, a ladder set up on the Earth) 
V’rosho magia hashamayima 
(And its top reached heaven) 
V’hinei, malachei Elokim olim v’yordim bo 
(And behold, messengers of G-d ascending and descending on it) 
Synergy Vocals 
Tara Bungard, Micaela Haslam, sopranos 
Benedict Hymas, Will Wright, tenors 
New York Philharmonic 
Frank Huang, Sheryl Staples, first violins 
Qianqian Li, Lisa Eunsoo Kim, second violins 
Rebecca Young, Cong Wu, violas 
Carter Brey, Matthew Christakos, cellos 
Robert Langevin, Mindy Kaufman, flutes 
Robert Botti, John Upton, oboes 
Anthony McGill, Barret Ham, clarinets 
Christopher S. Lamb, Daniel Druckman, percussion 
Eric Huebner, piano 
Lawrence Tarlow, Sara Griffin, Viola Chan, librarians 
Jaap van Zweden, conductor 
Traveler’s Prayer (2020) 
Synergy Vocals 
Amanda Morrison, Micaela Haslam, sopranos 
Benedict Hymas, Will Wright, tenors 
Colin Currie Group 
Sam Walton, Owen Gunnell, percussion 
Siwan Rhys, piano 
Jonathan Morton, Greta Mutlu, Clio Gould, Beatrix Lovejoy, violins 
Nicholas Bootiman, Meghan Cassidy, violas 
Robin Michael, Zoe Martlew, cellos 
Colin Currie, conductor 

Disc 27 – Music For 18 Musicians (Signal)
Music for 18 Musicians (modular version) 
Pulses 
Section 1 
Section 2 
Section 3a 
Section 3b 
Section 4 
Section 5 
Section 6 
Section 7 
Section 8 
Section 9 
Section 10 
Section 11 
Pulses  
Ensemble Signal 
Olivia De Prato, violin 
Lauren Radnofsky, cello 
Ken Thomson, Bill Kalinkos, clarinets, bass clarinets 
David Friend, Lisa Moore, Red Wierenga, Thomas Rosenkranz, pianos 
Doug Perkins, Bill Solomon, marimbas 
Brad Lubman, marimba (Section VII) 
James Deitz, maracas, marimba (Section IllB) 
Martha Cluver, Caroline Shaw, Mellissa Hughes, Kirsten Sollek, voices 
Owen Clayton Condon*, xylophone 
Robert Dillon*, xylophone, marimba (Section IllB) 
Peter Martin*, vibraphone, piano (Sections II, IX, X) 
David Skidmore*, marimba, piano (Sections IX, X) 
* members of Third Coast Percussion 
Brad Lubman, music director 
Paul Coleman, live sound director