RELEASE DATE: July 17th, 2021
LABEL: Soul Makossa
CAT NO: SMV4
A1. Cielito Lindo
A3. Rumba Makossa
A4. Son de la Loma
A5. Cerisiers Roses Et Pommiers Blancs
B1. Quizas, Quizas, Quizas
B3. El Manicero
B4. El Paralitico
B5. Cosita Linda
MANU DIBANGO & CUARTETO PATRIA – CubAfrica
LP – Limited Edition Coloured Vinyl
(Only 1,800 copies pressed in this RSD Edition.)
All ‘RSD Drop 2’ titles will be available for purchase in store from 8am Saturday, July 17th. Online sales for remaining stock will start at 6pm, 17th July.
When Manu Dibango meets the members of Buena Vista Social Club in Cuba…
Afro-Cuban: that term which set the world on fire, from rumba to boléro, mambo to cha-cha-cha, before salsa, that 70’s spicy sauce, took over from the others. But to speak truly, since the mists of times (of slavery), both Africa and Cuba aim to vamp that umbilical cord. The most recent example, CubAfrica, a record born from the reunion of a master from Africa and this very living institution from Cuba, during a show around Albi (in the south of France) where they were both headlining in spring 1996. Manu Dibango’s sax melted perfectly with the rural music of Eliadès Ochoa and his Cuarteto Patria, here’s the beginning of an idea.
Talking about Latino music, Manu Dibango has a history with it. First, during the early ’60s, from Douala to Abidjan and Paris, he was surrounded by as many Cuban tempos as afro, and a lot of descargas, this typical afro-Cuban jam sessions with a spicy jazzy touch, which were back in the circumstances back in the days. Later on, in the ’70s, invited in Puerto Rico by the Fania All-Stars, this dreamy salsa big band at its highest, Manu dressed his anthemic hit “Soul Makossa”, for a show (and then a record) of the anthology.
There was nothing more natural for him than diving again in the Cuban bath. This time, he crossed the sound barrier with this Cuarteto Patria, a standard combo in Cuban music, founded 60 years ago and handled by Eliadès Ochoa, this master of très the ancestral Cuban guitar, in 1978. He just achieved another magic meeting, the one of Buena Vista Social Club’s record, next to Compay Segundo, Ruben Gonzalez and Ry Cooder.
In Paris, back from Albi, an idea started to tickle Manu, Eliadès and… Gilbert Castro, boss of Celluloïd-Mélodie. They high-fived each other, be agree on the repertoire and then get to Davout studio the day after. They tweak the arrangements right at the studio with the help of Ernesto “Tito” Puentes and Hughes de Courson, Lambarena’s producer.
In two days, everything’s almost ready. Jerry Malekani, Manu’s guitar player will add a few things on it.
Cub Africa is a seductive guided tour around the garden of Latino classics, with that Creole smell. Latinos but not only Cuban, but this record is also a walk toward Mexican Cielito Lindo or Cerezo Rosa, this french sweet made by André Claveau and spiced by Perez Prado.
A repertoire that even newcomers are able to hum, due to such a patrimonial status, spread by Cubans and their African partner in crime, round-shaping sounds for a spontaneous result: the black continent and the Caribbean island aren’t on the edge of losing the bond between them.
See below for tracklisting…