Krakatau - Terra Ignota Krakatau

Elations Recordings presents Terra Ignota, the long-awaited new full-length album from elusive Melbourne-based fusion ensemble Krakatau.

Terra Ignota marks a return and an epochal shift for the group, a deep exploration of possible sonic spaces and a portent of things to come. In the years since 2016’s cosmic jazz-funk-prog-spiritual 12-inch Tharsis Montes/Apogean Tide, Krakatau have worked on refining their craft as instrumentalists and writers, expanding further into the world of jazz and fusing influences from world folk musics, contemporary jazz and the European post-minimalist music of the 1980s and early 1990s.

Terra Ignota, literally translated as “Unknown Land”, takes its name from the cartographer’s notation for uncharted territory, the blank spaces on maps where knowledge gives way to imagination and speculation, gesturing towards the group’s studio explorations and search for new sonic worlds in the years spent developing the record.

The results are a diverse yet unified combination of sounds and influences across five tracks that see Krakatau drawing closer to the independent underground “world” jazz scene of the 1980s than anything contemporary.

The album opens with the digi-minimalism and fourth-world atmospherics of the title track Terra Ignota, a percussion-heavy Latin fusion sound in Birds of Passage, and melancholic ambient saxophone and synthesiser duo In Memory. Three-part epic Cosmetic Surgery journeys through a long, complex post-minimalist arrangement into Latin fusion and contemporary jazz, followed by the contemplative ECM-styled acoustic quartet closer Trial in Absentia.

The album features significant contributions from saxophonist Rob Vincs, former Victorian College of the Arts head of Jazz and Improvisation and a collaborator with Australian musician Brian Brown; layered percussion and wordless vocals from Brazilian percussionist and esteemed songwriter Alcides Neto; and a guest performance from trumpet player Reuben Lewis on the title track.