Ariel Kalma, Jeremiah Chiu, Marta Sofia Honer - The Closest Thing To Silence (2026 Edition) Ariel Kalma, Jeremiah Chiu, Marta Sofia Honer

In August 2022, the late Australia-based, French-born fourth-world music legend Ariel Kalma was invited to participate in BBC Radio 3’s Late Junction series of special collaborations. The programme pairs artists who have not previously worked together to create new music cooperatively. Kalma was quick to suggest working with two musicians whom he had never met – International Anthem recording artists Jeremiah Chiu and Marta Sofia Honer, whose critically acclaimed duo debut Recordings from the Åland Islands had been released just a few months earlier. An invitation was sent to Chiu and Honer, which was received with great enthusiasm, as Chiu had long been a fan of Kalma’s work, even citing him as a major influence on his approach to electronic music composition.

The essential structure of the Late Junction collaboration was that the artists would work together to create around twenty minutes of music. They began passing music back and forth, some that Kalma had started, and some that Honer and Chiu had started, with each adding to or editing the track before returning it to the other. The music would only go back and forth a few times before being finalized. After meeting their twenty-minute goal for the programme, Kalma, Chiu and Honer agreed that they would continue to work together to try to push the music further. The freshly minted trio felt like there was much more to be said and more work to be done.

The Late Junction programme was broadcast in September 2022. Simultaneously, Kalma, Chiu and Honer began expanding upon the music they had started for the purpose of the broadcast, working diligently on the music for several months. Their collective approach to this work was born in improvisation and realized via collage-based editing. The end result brings several distinct musical moments — recorded sometimes decades apart — into conversation with one another, forming new narratives from building blocks of old ones. There are snippets of improvised playing from each musician, edited together with recordings that Kalma had made in the 1970s at GRM, and even moments of audio notes — like Kalma explaining his ideas — that would make it into the final mixes.

Limited edition repress on “Mullumbimby Blue” vinyl.