{"product_id":"the-joe-harriott-quintet-high-spirits-british-jazz-explosion","title":"The Joe Harriott Quintet - High Spirits (British Jazz Explosion)","description":"\u003cp\u003e\u003cspan\u003eAvailable on vinyl for the first time in over 60 years \u003c\/span\u003e\u003cspan\u003eMastered from the original stereo analogue tapes. The p\u003c\/span\u003e\u003cspan\u003eackage includes images of the original master tapes and new sleeve notes written by noted author \u003cstrong\u003eTony Higgins\u003c\/strong\u003e, Executive Producer for Decca's 'British Jazz Explosion' series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eOn 16 October 2026 Fontana Records are making Jamaican\/British jazz saxophonist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eJoe Harriott\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e's album \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHigh Spirits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e available again for the first time since it was released in 1965.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eThis new edition was mastered at Abbey Road using high definition 24bit\/192kHz audio files, copied directly from the original stereo analogue master tapes (previously only the mono version has been on vinyl). Images of those tapes are included in the package alongside new sleeve notes written by author, compiler, and documentary maker Tony Higgins, who also acts as Executive Producer for Universal Music's 'British Jazz Explosion' series.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eRecorded in September 1964, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHigh Spirits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e was originally released as part of the Lansdowne Series, overseen by the influential Denis Preston, one of the UK's first independent record producers. In a departure from the radical concepts Harriott explored across his most recent albums, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHigh Spirits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e features eight arrangements of songs originally written for the musical \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHigh Spirits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, composed by Hugh Martin and Timothy Gray, and based on Noël Coward’s 1941 play \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBlithe Spirit\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eAll the pieces were arranged by pianist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePat Smythe\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (b. Scotland 1923, d. 1983), a leading force behind several innovative shifts in British jazz in the '60s and '70s, appearing not just on Harriott's more typical output, but also on the ground breaking \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eIndo-Jazz Fusion\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e projects.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eCompleting the quintet were bassist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eColeridge Goode\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (b. 1914 Jamaica, d. 2015 London), drummer \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eBobby Orr\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (b. Scotland 1928, d. 2020), and trumpet\/flugelhorn player \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eEllsworth 'Shake' Keane\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (b. Saint Vincent 1927, d. 1997).\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eReviews from the time focused on the skill of this ensemble, with Melody Maker describing Harriott's quintet as \"probably the finest group of the British scene at the moment\", while Record Mirror offered, \"That it works at all is surprising; that it works so well is astonishing.\"\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBorn in Jamaica in 1928, Joseph Arthurlin Harriott was a pupil at the Alpha Boys School (alma mater to \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eHarold McNair\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eDizzy Reece\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and a myriad of Ska greats). He arrived in Britain in the early '50s, initially touring with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eOzzie Da Costa Band\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, followed by a brief spell with the \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRonnie Scott Big Band\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and sessions backing the likes of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eGeorge Chisholm\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eLita Roza\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eBy the mid '50s Joe was a big enough draw to release records under his own name, and whilst these early recordings conform to the then popular bop style, the following decade would see him release albums whose titles chart his development; \u003c\/span\u003e\u003cem\u003e\u003cspan\u003e'Free Form'\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e in 1960, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003e'Abstract'\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e in 1963, and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003e'Movement'\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e in 1964.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eInitial sales of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHigh Spirits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e were disappointing, and Harriott would return to his more innovative work, on albums like \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMichael Garrick\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e's 1966 \u003c\/span\u003e\u003cem\u003e\u003cspan\u003e'Black Marigolds'\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, and the landmark \u003c\/span\u003e\u003cem\u003e\u003cspan\u003e'Hum Dono'\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e album in 1969, with Goan guitarist \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAmancio D’Silva\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. However, with its inventive arrangements and accomplished playing, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHigh Spirits\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e has stood the test of time, and remains an essential listen, not only for fans of British jazz, but jazz fans in general.\u003c\/span\u003e\u003c\/p\u003e","brand":"Fontana","offers":[{"title":"180g Black Vinyl LP","offer_id":59620468883801,"sku":"SDZ-53478","price":34.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/UNI_20260904_1020_092640_071_v_0199957804219_003.jpg?v=1790696097","url":"https:\/\/spindizzyrecords.com\/products\/the-joe-harriott-quintet-high-spirits-british-jazz-explosion","provider":"Spindizzy Dublin","version":"1.0","type":"link"}