{"product_id":"swami-john-reis-navajo-white","title":"Swami John Reis - Navajo White","description":"\u003cp data-start=\"36\" data-end=\"983\"\u003eNavajo White is a color. It's the color of an off white, interior, house paint. Throughout his teens into adulthood, \u003cstrong data-start=\"153\" data-end=\"166\"\u003eJohn Reis\u003c\/strong\u003e was as a house painter by trade. The soiled walls of evacuated apartments was his canvas. Here he would cover up the residue of life's stains with a fresh coat of the beige, human white-out that is \u003cem data-start=\"365\" data-end=\"379\"\u003eNavajo White\u003c\/em\u003e. Amongst the vacated, drywall chambers littered with the scant detritus of a fleeing existence is where this record began. It started as road noise, a repetitious hum of a fictional dialogue. A languageless, argument of noise that took shape as a disconnect between two people. They are both barricaded by an impenetrable surface tension that harbors the distortion of their prolonged isolation from the world beyond their self imposed exile. For all that can't be solved or thrown away here's a thick coat of \u003cem data-start=\"890\" data-end=\"904\"\u003eNavajo White\u003c\/em\u003e to cover our tracks as if to say \"we were never here and this never happened.\"\u003cspan aria-hidden=\"true\"\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp data-start=\"985\" data-end=\"1943\" data-is-last-node=\"\" data-is-only-node=\"\"\u003eThis is the fifth \u003cstrong data-start=\"1003\" data-end=\"1022\"\u003eSwami John Reis\u003c\/strong\u003e album and features \u003cstrong data-start=\"1042\" data-end=\"1062\"\u003eJason Kourkounis\u003c\/strong\u003e (\u003cstrong data-start=\"1064\" data-end=\"1078\"\u003eHot Snakes\u003c\/strong\u003e, \u003cstrong data-start=\"1080\" data-end=\"1092\"\u003eDelta 72\u003c\/strong\u003e, \u003cstrong data-start=\"1094\" data-end=\"1112\"\u003eNight Marchers\u003c\/strong\u003e) on drums as well as contributions from \u003cstrong data-start=\"1153\" data-end=\"1169\"\u003eRick Froberg\u003c\/strong\u003e (\u003cstrong data-start=\"1171\" data-end=\"1185\"\u003eHot Snakes\u003c\/strong\u003e, \u003cstrong data-start=\"1187\" data-end=\"1206\"\u003eDrive Like Jehu\u003c\/strong\u003e, \u003cstrong data-start=\"1208\" data-end=\"1217\"\u003eObits\u003c\/strong\u003e) on guitar, \u003cstrong data-start=\"1230\" data-end=\"1242\"\u003eGar Wood\u003c\/strong\u003e (\u003cstrong data-start=\"1244\" data-end=\"1258\"\u003eHot Snakes\u003c\/strong\u003e, \u003cstrong data-start=\"1260\" data-end=\"1270\"\u003eTanner\u003c\/strong\u003e, \u003cstrong data-start=\"1272\" data-end=\"1290\"\u003eNight Marchers\u003c\/strong\u003e) on bass, \u003cstrong data-start=\"1301\" data-end=\"1316\"\u003eJoe Guevara\u003c\/strong\u003e (\u003cstrong data-start=\"1318\" data-end=\"1328\"\u003eJejune\u003c\/strong\u003e, \u003cstrong data-start=\"1330\" data-end=\"1360\"\u003eSwami and the Bed Of Nails\u003c\/strong\u003e) on piano and keyboards and \u003cstrong data-start=\"1389\" data-end=\"1401\"\u003eRob Crow\u003c\/strong\u003e (\u003cstrong data-start=\"1403\" data-end=\"1414\"\u003ePinback\u003c\/strong\u003e, \u003cstrong data-start=\"1416\" data-end=\"1427\"\u003ePLOSIVS\u003c\/strong\u003e) and \u003cstrong data-start=\"1433\" data-end=\"1452\"\u003eJacob Turnbloom\u003c\/strong\u003e (\u003cstrong data-start=\"1454\" data-end=\"1471\"\u003eMrs. Magician\u003c\/strong\u003e) on backing vocals. Taking musical cues from later period \u003cstrong data-start=\"1530\" data-end=\"1540\"\u003eWipers\u003c\/strong\u003e, the more low key \u003cstrong data-start=\"1559\" data-end=\"1569\"\u003eSaints\u003c\/strong\u003e songs, early recordings of \u003cstrong data-start=\"1597\" data-end=\"1611\"\u003eThe Church\u003c\/strong\u003e as well as \u003cstrong data-start=\"1623\" data-end=\"1637\"\u003eThe Damned\u003c\/strong\u003e on their \u003cem data-start=\"1647\" data-end=\"1660\"\u003eBlack Album\u003c\/em\u003e, \u003cem data-start=\"1662\" data-end=\"1676\"\u003eNavajo White\u003c\/em\u003e pits sentiment vs the unsentimental. Recorded by John Reis at City of Refuge, San Diego with additional recording and mixing by \u003cstrong data-start=\"1805\" data-end=\"1818\"\u003eBen Moore\u003c\/strong\u003e at Singing Serpent and mastered by \u003cstrong data-start=\"1854\" data-end=\"1870\"\u003eDave Gardner\u003c\/strong\u003e at DSG Mastering. This record is dedicated to house painters everywhere.\u003c\/p\u003e","brand":"SWAMI RECORDS","offers":[{"title":"'On Off-White' Coloured Vinyl LP","offer_id":58433271202137,"sku":"SDZ-48072","price":37.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/FOR_20260630_1044_094536_336_p_6478a508-ed62-5c30-3be1-94fd7922bb52_2_001.jpg?v=1782816964","url":"https:\/\/spindizzyrecords.com\/products\/swami-john-reis-navajo-white","provider":"Spindizzy Dublin","version":"1.0","type":"link"}