{"product_id":"patti-smith-horses","title":"PATTI SMITH - Horses","description":"\u003ch2\u003e\u003cstrong\u003eLP – 180g Black Vinyl\u003c\/strong\u003e\u003c\/h2\u003e\n\u003ch3\u003e\u003cstrong\u003e (Includes download code)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003cp\u003eIt isn’t hard to make the case for Patti Smith as a punk rock progenitor based on her debut album, which anticipated the new wave by a year or so: the simple, crudely played rock \u0026amp; roll, featuring Lenny Kaye’s rudimentary guitar work, the anarchic spirit of Smith’s vocals, and the emotional and imaginative nature of her lyrics — all prefigure the coming movement as it evolved on both sides of the Atlantic. Smith is a rock critic’s dream, a poet as steeped in ’60s garage rock as she is in French Symbolism; \u003cem\u003eLand\u003c\/em\u003e carries on from the Doors’ \u003cem\u003eThe End\u003c\/em\u003e, marking her as a successor to Jim Morrison, while the borrowed choruses of \u003cem\u003eGloria\u003c\/em\u003e and \u003cem\u003eLand of a Thousand Dances\u003c\/em\u003e are more in tune with the era of sampling than they were in the ’70s. Producer John Cale respected Smith’s primitivism in a way that later producers did not, and the loose, improvisatory song structures worked with her free verse to create something like a new spoken word\/musical art form: \u003cem\u003eHorses\u003c\/em\u003e was a hybrid, the sound of a post-Beat poet, as she put it, “dancing around to the simple rock \u0026amp; roll song.”\u003c\/p\u003e","brand":"Sony \/ We Are Vinyl,Arista\/Legacy\/Sony Music","offers":[{"title":"LP - 180g Vinyl","offer_id":58297266766169,"sku":"SDZ-27299","price":25.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/SDZ-27299-96-001.png?v=1781535340","url":"https:\/\/spindizzyrecords.com\/products\/patti-smith-horses","provider":"Spindizzy Dublin","version":"1.0","type":"link"}