{"product_id":"osukaru-tall-tales","title":"Osukaru - Tall Tales","description":"\u003cp\u003e\u003cstrong\u003eOsukaru\u003c\/strong\u003e didn’t start as a band - it started as a vision. Formed in early 2010 in Gothenburg, Sweden, guitarist \u003cstrong\u003eOz Hawe Petersson\u003c\/strong\u003e (then known as Oz Osukaru) set out to bring something to life that didn’t quite exist yet. It would take a couple of years of shaping that idea - through early EPs and relentless refinement - before the debut album \u003cem\u003eSalvation\u003c\/em\u003e finally arrived in 2012. At that point, Osukaru wasn’t just a project anymore. It was starting to become something real.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003eTransition\u003c\/em\u003e in 2015, the pieces began to fall into place. Line-up changes and growing experience turned the vision into a fully formed entity - something the band themselves has pointed to as a first real milestone, and when Osukaru truly began to find its identity.\u003c\/p\u003e\n\u003cp\u003eRooted in classic stadium rock, the early releases leaned more heavily into a solid AOR sound. But even then, there were signs of something more beneath the surface. Over time, little by little, that edge became sharper. The melodies stayed strong, but the sound gained weight, attitude and a harder punch.\u003c\/p\u003e\n\u003cp\u003eBy the time \u003cem\u003eHouse of Mirrors\u003c\/em\u003e arrived in 2018, Osukaru had fully stepped into a world of their own - melodic, yet heavier and more driven. That momentum carried into \u003cem\u003eStarbound\u003c\/em\u003e in 2021, which took the band to new heights, multi-million streams on Spotify alone and set the stage for what would come next.\u003c\/p\u003e\n\u003cp\u003eEnter \u003cem\u003eTall Tales\u003c\/em\u003e - the band’s seventh album, and the clearest statement yet of how far that original vision has come. It was produced by Oz Hawe Petersson together with long-time singer and band partner \u003cstrong\u003eFredrik Werner\u003c\/strong\u003e (\u003cstrong\u003eDaytona\u003c\/strong\u003e, \u003cstrong\u003eAir Raid\u003c\/strong\u003e), mixed by \u003cstrong\u003eSvein Jensen\u003c\/strong\u003e (\u003cstrong\u003eAlicate\u003c\/strong\u003e, \u003cstrong\u003eSister Sin\u003c\/strong\u003e) and mastered by \u003cstrong\u003eMats Eriksson\u003c\/strong\u003e (\u003cstrong\u003eDegreed\u003c\/strong\u003e). The cover and booklet artwork was created by Oz Hawe Petersson alongside actress\/model \u003cstrong\u003eEliza Sica\u003c\/strong\u003e and carries a subtle sense of both unease and wonder that mirrors the album’s mysterious lyrical themes.\u003c\/p\u003e","brand":"PRIDE \u0026 JOY MUSIC","offers":[{"title":"CD","offer_id":58586523566425,"sku":"SDZ-48782","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/CAR_20260713_1203_113526_386_p_Osukaru_-_Tall_Tales_1500px_31_029.jpg?v=1784028492","url":"https:\/\/spindizzyrecords.com\/products\/osukaru-tall-tales","provider":"Spindizzy Dublin","version":"1.0","type":"link"}