{"product_id":"oliver-coates-mary-and-george-original-series-soundtrack","title":"OLIVER COATES - Mary And George (Original Series Soundtrack)","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eLP - Limited Edition Hand-Pressed Half-Red \/ Half-Black Vinyl.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003ePreeminent cellist \/ composer Oliver Coates follows his scores for ‘\u003cem\u003eAftersun\u003c\/em\u003e’ and ‘\u003cem\u003eFoe\u003c\/em\u003e’ with a stately string and electronic orchestration for Tudor and Stuart-era period drama ‘\u003cem\u003eMary \u0026amp; George\u003c\/em\u003e’. Coate’s score draws on his roots in classical, electronic and club music to accompany an adaptation of the non-fiction book ‘The King’s Assassin’ by Benjamin Woolley, which outlines the romantic affair between King James VI and I and George Villiers, 1st Duke of Buckingham.\u003cbr\u003e\u003cbr\u003eThe score sees Coates reaching for a suitably lavish palette of strings, from symphonic to puckered chamber arrangements, sometimes underlined with Burial-esque beats and choral pads, as in ‘France’, or alloying the two in a way recalling Nicholas Britell’s ‘\u003cem\u003eSuccession\u003c\/em\u003e’ soundtrack. There’s enough harpsichord to make the ruffed-necks swoon, and Coates takes the license to distort sounds to taste when necessary, resulting a clear highpoint in his work, both solo and for film.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Invada","offers":[{"title":"LP - Half-Red \/ Half-Black Vinyl","offer_id":54570185163097,"sku":"SDZ-26507","price":19.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/Oliver_Coates_-_Mary_and_George__Original_Series_Soundtrack__-_LP_Half-Red_and_Half_Black_Vinyl_-_2025.jpg?v=1746780741","url":"https:\/\/spindizzyrecords.com\/products\/oliver-coates-mary-and-george-original-series-soundtrack","provider":"Spindizzy Dublin","version":"1.0","type":"link"}