{"product_id":"nick-schofield-blue-hour","title":"NICK SCHOFIELD - Blue Hour","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eLP - Standard Edition Black Vinyl. \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003e\u003cem\u003eBlue Hour\u003c\/em\u003e is \u003cstrong\u003eNick Schofield\u003c\/strong\u003e’s first foray into ambient jazz music. The album is an ambient ode to \u003cstrong\u003eMiles Davis\u003c\/strong\u003e’ \u003cem\u003eIn A Silent Way\u003c\/em\u003e, and opens up Schofield’s sonic palette to introduce his childhood instrument, drums, with his contemporary ambient-electronic practice. \u003cem\u003eBlue Hour\u003c\/em\u003e features the intuitive, and totally improvised, trumpet playing of \u003cstrong\u003eScott Bevins\u003c\/strong\u003e (\u003cstrong\u003eNo Cosmos\u003c\/strong\u003e, \u003cstrong\u003eBusty and the Bass\u003c\/strong\u003e). Schofield grew up playing drums, but turned to creating experimental-electronic music when studying Electroacoustics at Concordia University. Well-known for his signature ambient aesthetic, Schofield has been called a “dazzling electronic artist” by \u003cstrong\u003e\u003cem\u003eAquarium Drunkard\u003c\/em\u003e\u003c\/strong\u003e and a “synth maven” by \u003cstrong\u003eConstellation Records\u003c\/strong\u003e. \u003cbr\u003e\u003cbr\u003e\u003cem\u003eBlue Hour\u003c\/em\u003e marks the first time that he has merged his percussion practice with his ambient electronic explorations, and it is all in the service of reinterpreting Miles Davis’ 1969 watershed recording \u003cem\u003eIn a Silent Way\u003c\/em\u003e. Schofield improvised all of the drumming and main synthesizer parts over the course of a single day, recording in a church in Ottawa. These foundational layers comprise tender Moog pulses and Roland Juno-6 pads, some of which would not be out of place on the back half of \u003cem\u003eAnother Green World\u003c\/em\u003e or \u003cem\u003eMusic Has the Right to Children\u003c\/em\u003e. If this was to be a reflection of \u003cem\u003eIn a Silent Way\u003c\/em\u003e, of course there would need to be trumpet. Schofield invited Bevins to record the missing piece of the album during a one day recording session, where Bevins improvised all his trumpet parts having never heard the songs before. Scott Bevins’ contribution gives the music a leading instrumental voice, and his intuitive approach shows a perfect understanding of how to both integrate and elevate the compositions. Blue Hour is itself a profound reference, an ambient adaptation, a dream realised and an uncanny synthesis of sounds, styles, and personal history.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Backward Music","offers":[{"title":"LP - Black Vinyl","offer_id":57289332097369,"sku":"SDZ-25795","price":25.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/Nick_Schofield_-_Blue_Hour_-_2026.jpg?v=1770992639","url":"https:\/\/spindizzyrecords.com\/products\/nick-schofield-blue-hour","provider":"Spindizzy Dublin","version":"1.0","type":"link"}