{"product_id":"metropolis-ensemble-erik-hall-sandbox-percussion-canto-ostinato","title":"METROPOLIS ENSEMBLE, ERIK HALL, SANDBOX PERCUSSION - Canto Ostinato","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eCD.  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eSometime in 2020 I listened to \u003cem\u003eCanto Ostinato\u003c\/em\u003e for the first time, and my enthrallment with the piece had begun. I was transfixed by its particular amalgam of harmony, repetition, and pacing. By the spring of 2023 I had constructed and released my own solo interpretation, and I assumed at that point my working relationship with the composition had run its course. But I underestimated its magnetism. \u003cbr\u003e\u003cbr\u003eThe following year I was back in its grips, having been invited by \u003cstrong\u003eMetropolis Ensemble\u003c\/strong\u003e’s \u003cstrong\u003eAndrew Cyr\u003c\/strong\u003e to expand on the foundation I had laid with the piece. Soon I was in Brooklyn, on a newly-formed team of six with \u003cstrong\u003eCyr\u003c\/strong\u003e and the members of \u003cstrong\u003eSandbox\u003c\/strong\u003e Percussion, thrilled to be helping architect a brand new large-ensemble arrangement of \u003cem\u003eCanto Ostinato\u003c\/em\u003e for a summer solstice perfor- mance at the Brooklyn Botanic Garden. We did so, our cohort growing to include the students of The New School’s Sandbox Percussion Summer Seminar, as well as composers \u003cstrong\u003eDavid Leon\u003c\/strong\u003e, \u003cstrong\u003eBen Wallace\u003c\/strong\u003e, and \u003cstrong\u003eLedah Finck\u003c\/strong\u003e and the \u003cstrong\u003eBergamot Quartet\u003c\/strong\u003e. It was a day we will all remember—sweeping, dreamlike, and what felt like a quintessential culmination. But even then... the piece still beckoned, and it became imperatively clear that this new orchestration called for the embarkment on a studio album—a permanent document of our now-collective ardor. Refined over a year and recorded in New York, 2025, this performance recasts the piece anew in a towering framework of mallet percussion, woodwinds, strings, and piano. It is our truest attempt at conveying Canto’s beauty and magnitude in all its kaleidoscopic harmony, dynamism, tension, and release. I stand once again in awe of Simeon ten Holt’s monumental creation, and to be a thread among this particular sonic fabric is one of the great pleasures of my musical life. I don’t assume we might be so fortunate again... but who knows.. - \u003cstrong\u003eErik Hall\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\"Shrewd... prismatic... organic...Makes a minimalist standard freshly thrilling to revisit.” \u003cbr\u003e- \u003cstrong\u003e\u003cem\u003ePITCHFORK\u003c\/em\u003e\u003cbr\u003e\u003cbr\u003e\u003c\/strong\u003e\u003c\/p\u003e","brand":"Western Vinyl","offers":[{"title":"CD","offer_id":57279369118041,"sku":"SDZ-23618","price":16.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/Metropolis_Ensemble_-_ErikHall_-_Sandbox_Percussion_-_Canto_Ostinato_-_2026.jpg?v=1770891861","url":"https:\/\/spindizzyrecords.com\/products\/metropolis-ensemble-erik-hall-sandbox-percussion-canto-ostinato","provider":"Spindizzy Dublin","version":"1.0","type":"link"}