{"product_id":"ghost-dubs-oblique","title":"Ghost Dubs - Oblique","description":"\u003cp\u003eSince the release of \u003cem\u003eDAMAGED\u003c\/em\u003e in 2024, \u003cstrong\u003eMichael Fiedler\u003c\/strong\u003e aka \u003cstrong\u003eGHOST DUBS\u003c\/strong\u003e has been surfing intensifying waves of adulation, earning praise from such diverse underground legends as \u003cstrong\u003eJustin Broadrick\u003c\/strong\u003e (\u003cstrong\u003eGodflesh\u003c\/strong\u003e\/\u003cstrong\u003eJesu\u003c\/strong\u003e), \u003cstrong\u003eRegis\u003c\/strong\u003e, \u003cstrong\u003eStefan Betke\u003c\/strong\u003e (\u003cstrong\u003ePole\u003c\/strong\u003e) and \u003cstrong\u003eSteve Von Till\u003c\/strong\u003e (\u003cstrong\u003eNeurosis\u003c\/strong\u003e). With second album \u003cem\u003eObliqfue\u003c\/em\u003e, his mastery of sculpting sound waves results in a spellbinding set of alien soundscapes: larger in scale, richer in tone and considerably more cinematic than its predecessor. Lower, deeper and moodier, its cloudy abstractions, shadowy pulsations and submerged rhythms find Fiedler reaching further into his own sonic void, crafting blurred melodies and addictive narco loops into something simultaneously heavyweight and hypnotic.\u003c\/p\u003e\n\u003cp\u003eLead single and album opener \u003cem\u003e“Low Times”\u003c\/em\u003e sets the atmospheric pressure to maximum, resembling a dream date between prime dirt-house era \u003cstrong\u003eAndy Stott\u003c\/strong\u003e and Berlin dub-tech pioneers \u003cstrong\u003eBasic Channel\u003c\/strong\u003e. From there, \u003cem\u003eOblique\u003c\/em\u003e descends into a series of enchanting mood scenes: the furtive, balletic gyrations of \u003cem\u003e“After All”\u003c\/em\u003e, the haunting ambience and buried heartbeat throb of \u003cem\u003e“Soft Collapse”\u003c\/em\u003e, and the noirish atmospherics of \u003cem\u003e“Blackout Dust”\u003c\/em\u003e, which worms its way into the mind like some forgotten \u003cstrong\u003eDavid Lynch\u003c\/strong\u003e scene. The spirit of reggae is more distanced here than on \u003cem\u003eDAMAGED\u003c\/em\u003e, but the ghost of Jamaican dub still permeates these foggy soundscapes, particularly on \u003cem\u003e“Bombed Suburbs”\u003c\/em\u003e, where \u003cstrong\u003eAugustus Pablo\u003c\/strong\u003e-style melodicism is chopped, screwed and slowed into a magnetic lock groove.\u003c\/p\u003e\n\u003cp\u003eSuperficially minimal but maximal in its minute detail, \u003cem\u003eOblique\u003c\/em\u003e is a record of contorted reflections, mesmeric echoes and tantalising audio mirages. By the vaporous mist of closing track \u003cem\u003e“Almost a Structure”\u003c\/em\u003e, obvious rhythm has been craftily filtered away, leaving a blurred and blunted residue full of mystery and implied narrative. Dense in the best possible sense and crushing when played loud yet equally potent played quiet, \u003cem\u003eOblique\u003c\/em\u003e imagines dub techno burning its own rigid rulebook: sensual, funky and concussive rather than dry or alienating. Following Fiedler’s recent work scoring \u003cem\u003eSound of Falling\u003c\/em\u003e, recognised at Cannes in 2025, \u003cem\u003eOblique\u003c\/em\u003e finds Ghost Dubs shedding his influences and making it clear he has arrived at a sound entirely his own — essential deep listening and a bewitching dose of future shock.\u003c\/p\u003e","brand":"PRESSURE","offers":[{"title":"Vinyl 2LP","offer_id":58901459763545,"sku":"SDZ-50704","price":34.99,"currency_code":"EUR","in_stock":true},{"title":"CD","offer_id":58901463335257,"sku":"SDZ-50705","price":15.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/GHOST-DUBS-OBLIQUE-Front-Sleeve-Final.png?v=1787136459","url":"https:\/\/spindizzyrecords.com\/products\/ghost-dubs-oblique","provider":"Spindizzy Dublin","version":"1.0","type":"link"}