{"product_id":"freddie-gibbs-madlib-pinata-2026-pressing","title":"Freddie Gibbs \u0026 Madlib - Piñata (2026 Pressing)","description":"\u003cp\u003eFeaturing \u003cstrong\u003eDanny Brown\u003c\/strong\u003e, \u003cstrong\u003eMac Miller\u003c\/strong\u003e, \u003cstrong\u003eEarl Sweatshirt\u003c\/strong\u003e, \u003cstrong\u003eRaekwon\u003c\/strong\u003e, \u003cstrong\u003eScarface\u003c\/strong\u003e, \u003cstrong\u003eDomo Genesis\u003c\/strong\u003e, \u003cstrong\u003eAb-Soul\u003c\/strong\u003e, \u003cstrong\u003ePolyester the Saint\u003c\/strong\u003e, \u003cstrong\u003eBJ The Chicago Kid\u003c\/strong\u003e, \u003cstrong\u003eBig Time Watts\u003c\/strong\u003e, \u003cstrong\u003eGWiz\u003c\/strong\u003e, \u003cstrong\u003eCasey Veggies\u003c\/strong\u003e, \u003cstrong\u003eSulaiman\u003c\/strong\u003e, \u003cstrong\u003eMeechy Darko\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eFreddie Kane\u003c\/strong\u003e.\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFreddie Gibbs\u003c\/strong\u003e is the product of violent, drug-laden streets but unlike most rappers with similar resumes, he brings the block to the booth without inhibition or an exaggerated rap persona. \u003cem\u003ePiñata\u003c\/em\u003e, a 17 track collaboration with producer \u003cstrong\u003eMadlib\u003c\/strong\u003e, is the best distillation yet of his transparent approach to making music, combining an at times stark honesty with electrifying talent as a lyricist and performer.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003ePiñata\u003c\/em\u003e is “a gangster Blaxploitation film on wax,” says Gibbs, who came up on the streets of Gary, Indiana, the disregarded city previously best known for producing \u003cstrong\u003eMichael Jackson\u003c\/strong\u003e. Here he is joined by Mac Miller, Earl Sweatshirt, Raekwon, Scarface, Domo Genesis, Ab-Soul and a host of others in setting his soliloquies of the streets alongside film snippets and dusted funk, soul and prog musical tapestries.\u003c\/p\u003e\n\u003cp\u003eWhile this is the latest in a series of single-artist collaborations for Madlib, after \u003cem\u003eJaylib\u003c\/em\u003e (\u003cstrong\u003eJ Dilla\u003c\/strong\u003e), \u003cem\u003eMadvillainy\u003c\/em\u003e (\u003cstrong\u003eMF DOOM\u003c\/strong\u003e) and the street-centric \u003cem\u003eO.J. Simpson\u003c\/em\u003e with Detroit’s \u003cstrong\u003eGuilty Simpson\u003c\/strong\u003e, the pairing is unique as it is the first time for Gibbs working with just one producer.\u003c\/p\u003e\n\u003cp\u003eOn \u003cem\u003ePiñata\u003c\/em\u003e, Gibbs can shift from textbook lessons in robbing and drugging on tracks like \u003cem\u003e“Scarface”\u003c\/em\u003e and \u003cem\u003e“Knicks”\u003c\/em\u003e, to perhaps the album’s most personal song, \u003cem\u003e“Broken,”\u003c\/em\u003e a collaboration with Scarface, who, along with \u003cstrong\u003eTupac\u003c\/strong\u003e, \u003cstrong\u003eDMX\u003c\/strong\u003e and \u003cstrong\u003e50 Cent\u003c\/strong\u003e, make up the rapper’s own Mount Rushmore of MCs (“You’re getting a hurricane of all those motherfuckers hitting you at once when you listen to Freddie Gibbs,” he says).\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003e“Deeper,”\u003c\/em\u003e a Gibbs favorite and the third single from the album after \u003cem\u003e“Thuggin’”\u003c\/em\u003e (2012) and \u003cem\u003e“Shame”\u003c\/em\u003e (2013), is an ode to hip-hop in the mold of \u003cstrong\u003eCommon\u003c\/strong\u003e’s \u003cem\u003e“I Used to Love H.E.R.”,\u003c\/em\u003e \u003cem\u003e“High,”\u003c\/em\u003e featuring \u003cstrong\u003eDanny Brown\u003c\/strong\u003e, is self-explanatory and just what you would expect from Gibbs, Madlib and one of Detroit’s finest; while on \u003cem\u003e“Real,”\u003c\/em\u003e Gibbs addresses an old score just as \u003cstrong\u003eMichael Corleone\u003c\/strong\u003e settled all family business on baptism day.\u003c\/p\u003e\n\u003cp\u003eAs a producer, Madlib, quite simply, is music, and ten years into his career—a time when other artists become comfortable—Gibbs remains restless, focused, with an eye on the competition and their position relative to his ascent. This is because mentally, he’s still on the corner hustling, which would be the downfall of the average rapper.\u003c\/p\u003e\n\u003cp\u003eWith \u003cem\u003ePiñata\u003c\/em\u003e, Gibbs confirms that he is anything but average.\u003c\/p\u003e","brand":"Madlib Invazion","offers":[{"title":"Black Vinyl 2LP","offer_id":58311316275545,"sku":"SDZ-47327","price":42.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/FREDDIE_GIBBS_26_MADLIB_-_Pinata_LP.png?v=1781610425","url":"https:\/\/spindizzyrecords.com\/products\/freddie-gibbs-madlib-pinata-2026-pressing","provider":"Spindizzy Dublin","version":"1.0","type":"link"}