{"product_id":"elizabeth-parker-doctor-who-timelash-original-television-soundtrack","title":"Elizabeth Parker - Doctor Who - Timelash - Original Television Soundtrack","description":"\u003cp\u003e\u003cem\u003e\u003cspan\u003eTimelash\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is the fifth serial of the 22nd season in the British science fiction television series \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDoctor Who\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, which was first broadcast in two weekly parts on BBC1 on 9 and 16 March 1985\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eIt is, to date, the only television \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDoctor Who\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e story to have a score been composed by a woman. In the serial, the Borad (Robert Ashby), the mutated leader of the planet Karfel, plots to start a war with the Bandril race which would wipe out both the Bandrils and Karfel's population so that the Borad could repopulate it with his own kind to rule the planet.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e\u003cspan\u003eElizabeth Parker\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e is a British composer and sound designer best known for her work at the BBC Radiophonic Workshop, where she was a leading figure in electronic music for television and radio from 1978 until the Workshop's closure in the 1990s. Her compositions and sound designs for productions including \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Living Planet\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eBlake's 7\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDoctor Who\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, and numerous BBC radio dramas established her as one of the principal composers of the Workshop's later period. Following her BBC career, she continued as a freelance composer for documentary, television, and film productions.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003e\"I wanted the music for \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eTimelash\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e to be true grit. I needed the score to be edgy, spiky, strident and powerful, emerging from a distinctive angular sound palette which I took huge time and effort to create, largely using the PPG Wave synth and some of its glorious gutsy sounds. I could hear the score in my head before I started composing - I knew exactly where I was going with the sound and I am immensely proud of the way it turned out - some great combinations of electronic sounds... to me it sounds pretty contemporary, even 40 years later.\" - Elizabeth Parker\u003c\/span\u003e\u003c\/p\u003e","brand":"SILVA SCREEN RECORDS","offers":[{"title":"CD","offer_id":59580583575897,"sku":"SDZ-53259","price":17.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/PROP_20260924_0906_081148_321_p_6a064775-372d-41ce-b6b1-20cfa41081e6_003.jpg?v=1790344178","url":"https:\/\/spindizzyrecords.com\/products\/elizabeth-parker-doctor-who-timelash-original-television-soundtrack","provider":"Spindizzy Dublin","version":"1.0","type":"link"}