{"product_id":"art-pepper-everything-happens-to-me-1959","title":"ART PEPPER - Everything Happens To Me: 1959","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003e4CD - Limited Edition Box Set with Four Mini Sleeves.  \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\u003cp\u003eThe release of \u003cstrong\u003eArt Pepper\u003c\/strong\u003e’s \u003cem\u003eEverything Happens To Me: 1959 – Live At The Cellar\u003c\/em\u003e is the stuff music archivists can only dream of finding. Recordings by an historic and important jazz artist, at a storied venue, at a time when the artist was making some of their most essential work. In this case, catching Pepper on tape at The Cellar in 1959 finds him in the midst of landmark releases like, \u003cem\u003eArt Pepper Meets The Rhythm Section\u003c\/em\u003e (1957), \u003cem\u003eModern Art\u003c\/em\u003e (1957), \u003cem\u003eArt Pepper + Eleven\u003c\/em\u003e (1959) and \u003cem\u003eGettin’ Together\u003c\/em\u003e (1960). Though Pepper was going through a down time, Vancouver, Canada’s jazz club, The Cellar was in full swing and in the middle of its seven-year run (1956–1963).\u003cbr\u003e\u003cbr\u003e “There was an ongoing free exchange between the L.A. and San Francisco jazz players; the distance between the two cities amounted to six or seven hours by car. Sometimes a San Francisco booking stretched into stops in Portland and Seattle. Between 1956 to 1963, there was a northernmost jazz outpost in Vancouver, The Cellar. The basement space at 222 East Broadway (entered through the alley on Watson Street) grew from jam session site to full-fledged jazz club.” *  Dave Quarin, a saxophone player himself, managed The Cellar at the time, “The Cellar years were a good time for us,” Quarin states. “There were a half a million or so people in Vancouver then. We had CBC radio in the late 1950s, and they did live shows from Vancouver. We were very in-touch with American news, so I knew about the good musicians.” It was Quarin who captured Art on tape. Pepper was accompanied by pianist \u003cstrong\u003eChris Gage\u003c\/strong\u003e, bassist \u003cstrong\u003eTony Clitheroe\u003c\/strong\u003e and drummer \u003cstrong\u003eGeorge Ursan\u003c\/strong\u003e.  \u003cbr\u003e\u003cbr\u003e\u003cem\u003eEverything Happens To Me: 1959 – Live At The Cellar\u003c\/em\u003e utilizes a fly-on-the-wall approach that includes all the existing music as the recordings happened. As a result, the 4-CD \/ Digital set includes some incomplete tracks, but most songs run near to completion. The producers—\u003cstrong\u003eLaurie Pepper\u003c\/strong\u003e (Art’s widow) and \u003cstrong\u003eOmnivore Recordings\u003c\/strong\u003e’, \u003cstrong\u003eCheryl Pawelski\u003c\/strong\u003e didn’t want to omit the near hour of additional music just because tape ran out on a track. Restoration and mastering engineer \u003cstrong\u003eMichael Graves\u003c\/strong\u003e, restored and unified the existing audio to welcome you into The Cellar environment despite microphone placement changes within the club with nearly every change of tape.  \u003cbr\u003e\u003cbr\u003eAlbum notes by \u003cstrong\u003eKirk Silsbee\u003c\/strong\u003e include interviews with \u003cstrong\u003eLaurie Pepper\u003c\/strong\u003e and \u003cstrong\u003eDave Quarin\u003c\/strong\u003e who also provided archival photos from the era; the album art is built around the linocut that used to hang above the bar at The Cellar, a stunning piece called The Trio by \u003cstrong\u003eHarry J. Webb\u003c\/strong\u003e (1954).  It’s not often that ephemeral moments at pivotal times during an artist’s career are captured such that nearly 70 years later they are ours to experience, but Art Pepper’s 1959 visits to The Cellar were transformative, “Pepper would later say that the experience was so emotionally satisfying that he would subsequently recommit himself to jazz.” \u003cbr\u003e\u003cbr\u003e* \u003cem\u003eEverything Happens To Me: 1959 – Live At The Cellar\u003c\/em\u003e on \u003cstrong\u003eOmnivore Recordings\u003c\/strong\u003e \/ \u003cstrong\u003eWidow’s Taste Music\u003c\/strong\u003e is available February 20, 2026 (4-CD \/ Digital).  \u003cbr\u003e\u003cbr\u003e* —from the album notes by \u003cstrong\u003eKirk Silsbee\u003c\/strong\u003e   \u003cbr\u003e\u003cbr\u003eBUY! HERE’S WHY! • Historic 4 hours of previously unissued 1959 live Art Pepper recorded at Vancouver, Canada’s legendary jazz club The Cellar • Notes by jazz writer Kirk Silsbee with new interviews with Laurie Pepper (Art’s widow and co-producer of this set) and Dave Quarin (The Cellar). • Restored and mastered by Grammy-winner engineer, Michael Graves. • Package includes archival photographs and ephemera.  \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e","brand":"Omnivore Recordings","offers":[{"title":"Live At The Cellar - 4CD Box Set","offer_id":57318733349209,"sku":"SDZ-02115","price":47.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/Art_Pepper_-_Everything_Happens_To_Me__1959_-_Live_At_The_Cellar_-_4CD_Box_Set_-_2026.jpg?v=1771346850","url":"https:\/\/spindizzyrecords.com\/products\/art-pepper-everything-happens-to-me-1959","provider":"Spindizzy Dublin","version":"1.0","type":"link"}