{"product_id":"apollo-noir-hyper","title":"Apollo Noir - Hyper","description":"\u003cp\u003e\u003cem\u003e\u003cspan\u003eHyper\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e is a surprise album, arriving while we are still reeling from \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eCORE\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, and incidentally the fifth solo album from \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eRémi Sauzedde\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e aka \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eApollo Noir\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cspan\u003eFrom the hushed dream pop of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHome - Gone\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eShadow World\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e to the neo-90s electronic firebrands of \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eThe Donut Is Burning\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eClipper\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eDésordre\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, this mature, luminous, finely chiselled album refuses to be confined to any genre. With a sound that has been recognisable among thousands since his debut album \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eA\/N\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e, Apollo Noir is not shy about letting the ghosts of \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMy Bloody Valentine\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eAphex Twin\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e or \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eThe Prodigy\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e hover, welcomes \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eFiona Walden\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e, \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMark Kerr\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e (\u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eMaestro\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e) and \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eCanblaster\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e as guests, makes \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eTaurus Ariel\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e and \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHeaven Can Be Real\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e into soundtracks for imaginary films, and thus quietly establishes \u003c\/span\u003e\u003cem\u003e\u003cspan\u003eHyper\u003c\/span\u003e\u003c\/em\u003e\u003cspan\u003e as his most accomplished album to date, the one where his ideal record collection finally takes shape, somewhere between \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003ePrimal Scream\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and MBV or \u003c\/span\u003e\u003cstrong\u003e\u003cspan\u003eSonic Youth\u003c\/span\u003e\u003c\/strong\u003e\u003cspan\u003e and the early days of Warp.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e“From the age of 18, all my money went into records. Vinyl, but mostly CDs that I could listen to in the car: Primal Scream, Spiritualized, The Jesus and Mary Chain, Boards of Canada, PJ Harvey, Sonic Youth, Scott Walker... This was 2008. Then streaming arrived. I kept buying a few vinyl records, and carefully stored my CDs at my mother’s, in Auvergne. Twenty years later, I took all those boxes out again. I rediscovered my ideal record collection, the musical foundations of the music lover I am, the ones that probably still inspire my music today.\u003c\/p\u003e\n\u003cp\u003eFrom my sofa, as I write this text, I turn my head towards my CD shelf: \u003cem\u003eLoveless\u003c\/em\u003e by My Bloody Valentine, Spacemen 3, The Feelies, Arthur Russell, Nick Cave, Blonde Redhead, Swans, all of Sonic Youth, Free Kitten, and a few electronic records: Joakim, DyE, LCD, The Faint, Boards of Canada, Autechre, The Knife, Boys Noize, Justice, Daft Punk, Cold Cave. The list is endless. For me, these albums are classics. I know them by heart. I can’t say the same about what I’ve been listening to on streaming for twenty years, even though there are hundreds of things I love, and also know by heart.\u003c\/p\u003e\n\u003cp\u003e\u003cem\u003eHyper\u003c\/em\u003e is an ode to pre-streaming music, and to life before all that. A joyful, digested nostalgia that I dived back into without even thinking about it. Having become a father for the second time a few months ago, maybe that is the real reason for this search, for this recovered carefreeness, and for this desire for permanence.” Apollo Noir, September 2026\u003c\/p\u003e","brand":"TIGERSUSHI RECORDS","offers":[{"title":"CD","offer_id":60113621614937,"sku":"SDZ-55387","price":14.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/REP_20261023_1200_110324_203_p_APOLLO_NOIR_HYPER_1_001.jpg?v=1792756653","url":"https:\/\/spindizzyrecords.com\/products\/apollo-noir-hyper","provider":"Spindizzy Dublin","version":"1.0","type":"link"}