{"title":"ELECTRO-ACOUSTIC","description":null,"products":[{"product_id":"izumi-kimura-cora-venus-lunny-anthony-kelly-folding-cd","title":"IZUMI KIMURA, CORA VENUS LUNNY, ANTHONY KELLY - Folding - CD","description":"\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eLABEL: Farpoint Recordings\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eCAT NO: FP078\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eBARCODE: 660989724849\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003cbr\u003e\n\u003c\/strong\u003e1. Sea\u003cbr\u003e\n2. Bees In Wild Poppies\u003cbr\u003e\n3. Dry Leaves\u003cbr\u003e\n4. Blackbird Sings To Nearby Birds\u003c\/p\u003e\n\u003cp\u003e5. Storm Emma\u003cbr\u003e\n6. Spring Birds\u003cbr\u003e\n7. For Stephen\u003cbr\u003e\n8. Rain And Thunderstorm\u003cbr\u003e\n9. Booterstown At Dusk\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003ch3\u003eIZUMI KIMURA, CORA VENUS LUNNY\u003cbr\u003e\n\u0026amp; ANTHONY KELLY – Folding\u003c\/h3\u003e\n\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003eCD\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003chr\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cem\u003eFolding\u003c\/em\u003e is the new vinyl LP and CD of collective compositions featuring piano by Izumi Kimura, violin \u0026amp; viola by Cora Venus Lunny and field recordings by Anthony Kelly.\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-about\"\u003e\n\u003cp\u003eThe wonderfully nuanced music of Izumi Kimura and Cora Venus Lunny folds with immersive field recordings by sound artist Anthony Kelly to form a sonically rich response to the coastal townlands of Dún Laoghaire, County Dublin, Ireland.Storm Emma drifts above and below ground (an effect achieved by Kelly burying hydrophones under the snow), drawing the listener into sounds of tumbling snowflakes and winds overhead as Kimura’s piano and Lunny’s viola respond with sequences of raw \u0026amp; fragile beauty eventually leading to moments of fierce intensity. Elsewhere on this record there is poetry and light to be found; passages of darkness are balanced out by tenderly rendered moments of pronounced brightness as all three musical elements fuse together.\u003c\/p\u003e\n\u003cp\u003eThese new studio renderings offer vibrant, deeper explorations of ideas generated during the artist’s time on Kimura’s DLR Musician in Residence scheme, discovering connections between environmental and musical sounds through improvisation and composition\u003cspan class=\"bcTruncateMore\"\u003e. Song birds, snowstorms, bees, thunder and rain, a zephyr gently moving dried leaves, and other sounds feature prominently, reflecting the rich sonic environment of Dún Laoghaire. These new versions retain much of the rawness and absorbing qualities that audiences heard in live performances. With strong roots in improvised music, field recording and sound art, these collaborators play to their collective strengths in tracks such as Storm Emma and Dry Leaves.\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eWhile these collective compositions draw into the lived-experience and eco-acoustics of Dún Laoghaire, they also aim to evoke universally shared experiences. The listener is taken on a sonic journey of discovery, all the time building to a climactic end point, the notes suddenly fall away to a heightened experience of everyday sounds, as a clear new landscape opens out ahead.\u003c\/p\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv\u003e\n\u003cstrong\u003eIzumi Kimura\u003c\/strong\u003e – piano\u003cbr\u003e\n\u003cstrong\u003eCora Venus Lunny\u003c\/strong\u003e – violin and viola\u003cbr\u003e\n\u003cstrong\u003eAnthony Kelly\u003c\/strong\u003e – field recordingsRecorded and mixed by \u003cstrong\u003eDave McCune\u003c\/strong\u003e at Ventry Studios, Dublin\u003cbr\u003e\nMastering \u0026amp; additional mixing by \u003cstrong\u003eDavid Stalling\u003c\/strong\u003e at \u003cstrong\u003eFarpoint Recordings\u003c\/strong\u003e\n\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003eReleased July 1, 2021.\u003c\/div\u003e\n\u003cdiv\u003e\u003c\/div\u003e\n\u003cdiv class=\"tralbumData tralbum-credits\"\u003e\u003cstrong\u003eSee below for tracklisting…\u003c\/strong\u003e\u003c\/div\u003e\n","brand":"Farpoint Recordings","offers":[{"title":"Default Title","offer_id":41685114355873,"sku":"1046","price":11.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/products\/a3018717547_10.jpg?v=1646753484"},{"product_id":"nils-petter-molvaer-stitches-2lp-vinyl","title":"NILS PETTER MOLVAER - Stitches - 2LP - Vinyl","description":"\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eLABEL: Modern Recordings\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eCAT NO: 4050538683981\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eBARCODE: 4050538683981\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003eMedian\u003cbr\u003e\nHoney In Your Head\u003cbr\u003e\nFramework 2\u003cbr\u003e\nFramework 1\u003cbr\u003e\nAnother Stitch\u003cbr\u003e\nA Sudden Rash\u003cbr\u003e\nAngels Ahead\u003cbr\u003e\nFuneral\u003cbr\u003e\nNearly Invisible Stitches\u003cbr\u003e\nFramework 3\u003cbr\u003e\nTrue Love Waits (\u003cstrong\u003eRadiohead\u003c\/strong\u003e Cover)\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cbr\u003e\u003ch3\u003eNILS PETTER MOLVÆR – Stitches\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong style=\"color: #ff0000; font-size: 16px;\"\u003e2LP –  Black Vinyl\u003c\/strong\u003e\u003c\/h3\u003e\n\u003chr\u003e\n\u003cp\u003eNils Petter Molvær is one of the most prominent performers within an electroacoustic jazz hybrid that has, since the 1990s, become a genre all of its own. In this domain, sometimes referred to as ‘future jazz’ or ‘nu jazz’, the Norwegian composer is both a pioneer and a veteran having been one of the first jazz musicians to embrace the new digital and electronica tendencies at the turn of the century. With his signature sound that brings together poignant trumpet and dynamic electronic soundscapes, Molvær has achieved heavyweight status for showing a path forward for the genre in a new age, a path which, faithful to jazz’ past, remains cool all the way. His latest release, \u003cem\u003eStitches\u003c\/em\u003e, is no different. Unafraid to explore new sounds and emotions, Molvær once again shows us that not only jazz has a future, but one that is both bright and exciting.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSee below for tracklisting…\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Modern Recordings","offers":[{"title":"Default Title","offer_id":41685220851873,"sku":"14991","price":20.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/products\/mdnlp83981__14948.1623903259_55eb05cd-47a2-48a1-8094-33b35744998f.jpg?v=1646755110"},{"product_id":"sebastien-tellier-sessions-lp-vinyl","title":"SEBASTIEN TELLIER - Sessions - LP - Vinyl","description":"\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eLABEL: Record Makers\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eCAT NO: \u003c\/span\u003eREC27LP\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eBARCODE: 3516628363214\u003c\/span\u003e\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Bye Bye\u003cbr\u003e\n2. La Ritournelle\u003cbr\u003e\n3. Black Douleur\u003cbr\u003e\n4. League Chicanos\u003cbr\u003e\n5. La Dolce Vita\u003cbr\u003e\n6. Fantino\u003cbr\u003e\n7. Kissed By You\u003cbr\u003e\n8. Broadway\u003cbr\u003e\n9. Universe\u003cbr\u003e\n10. Classic\u003c\/p\u003e\n\u003cbr\u003e\u003ch3\u003eSÉBASTIEN TELLIER – Sessions\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong style=\"color: #ff0000; font-size: 16px;\"\u003eLP – Black Vinyl\u003cbr\u003e\n(Housed in a Gatefold Sleeve. First Time on Vinyl.)\u003c\/strong\u003e\u003c\/h3\u003e\n\u003chr\u003e\n\u003cp\u003eVery first vinyl edition of Sébastien Tellier’s classic acoustic album \u003cem\u003eSessions\u003c\/em\u003e, which was released in 2006. \u003cem\u003eSessions\u003c\/em\u003e is a collection of timeless pieces, stemming from his directory, in the right lined by the authors \/ composers \/ performers who mark their period. In bonus of this recording produced as an album studio by Alf (Air, Phoenix), Sébastien Tellier recorded a resumption of Christophe’s “\u003cem\u003eLa Dolce Vita\u003c\/em\u003e“, as well as an instrumental unpublished one “Classic”.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSee below for tracklisting…\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"Record Makers","offers":[{"title":"Default Title","offer_id":41685499969697,"sku":"16214 \/ 23275","price":14.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/products\/SEBASTIEN-TELLIER_-_SESSIONS_5a1c1463-a099-4722-8027-6334460c9045.jpg?v=1646759454"},{"product_id":"kings-of-convenience-quiet-is-the-new-loud-2021-reissue-lp-vinyl","title":"KINGS OF CONVENIENCE - Quiet Is The New Loud (2021 Reissue) - LP - Vinyl","description":"\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eLABEL: Virgin\/UMC\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\u003cspan style=\"font-weight: bold;\"\u003eCAT NO: 3559296\u003c\/span\u003e\u003c\/h2\u003e\n\u003ch2 style=\"margin: 0in; font-family: Calibri; font-size: 14.0pt; color: black;\"\u003e\n\u003cspan style=\"font-weight: bold;\"\u003eBARCODE: \u003c\/span\u003e\u003cspan style=\"font-weight: bold;\"\u003e0602435592961\u003c\/span\u003e\n\u003c\/h2\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklisting:\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e\nWinning A Battle, Losing The War\u003cbr\u003e\nToxic Girl\u003cbr\u003e\nSinging Softly To Me\u003cbr\u003e\nI Don’t Know What I Can Save You From\u003cbr\u003e\nFailure\u003cbr\u003e\nThe Weight Of My Words\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e\nThe Girl From Back Then\u003cbr\u003e\nLeaning Against The Wall\u003cbr\u003e\nLittle Kids\u003cbr\u003e\nSummer On The West Hill\u003cbr\u003e\nThe Passenger\u003c\/p\u003e\n\u003cbr\u003e\u003ch3\u003eKINGS OF CONVENIENCE\u003cbr\u003e\n– Quiet Is The New Loud\u003cbr\u003e\n[2021 Reissue]\u003c\/h3\u003e\n\u003ch3\u003e\u003cstrong style=\"color: #ff0000; font-size: 16px;\"\u003eLP – Limited Editon Black Vinyl\u003c\/strong\u003e\u003c\/h3\u003e\n\u003chr\u003e\n\u003cp\u003e\u003cem\u003eQuiet Is the New Loud\u003c\/em\u003e is the debut album by Norwegian duo Kings of Convenience. Originally released January 29, 2001. The album features the singles “\u003cem\u003eWinning a Battle, Losing the War\u003c\/em\u003e” and “\u003cem\u003eToxic Girl\u003c\/em\u003e”.\u003c\/p\u003e\n\u003cp\u003eEmerging in 2001 on a small wave of hype touting Norway as a new musical hotbed, Quiet is the New Loud was startling in its earnestness, even to ears that had been softened by the likes of Belle and Sebastian. Where that Scottish band tempers its twee-ness with clever, winking wordplay, Erlend Oye and Eirik Glambek Boe are more akin to a latter-day Simon and Garfunkel or a couple of Nick Drakes who are lucky to have found each other. Disarmingly sensitive, poetic tracks such as “\u003cem\u003eParallel Lines\u003c\/em\u003e” (“What’s the immaterial substance that envelops two\/That one perceives as hunger and the other as food”) are sung by the duo in honeyed harmonies with a pleasantly laid-back delivery. Oye and Boe eschew drums on all but two tracks (upbeat highlights “\u003cem\u003eToxic Girl\u003c\/em\u003e” and “\u003cem\u003eFailure\u003c\/em\u003e“), simply using layered guitars and the occasional string, piano, or trumpet flourish to accent the hushed power of their songs. The overall effect is one of bedroom introspection, well suited to their nostalgic, inward-looking lyrics.\u003c\/p\u003e\n\u003cp\u003eThe album is certified Silver in the UK and Gold in their native Norway. This re-press is in anticipation of the band’s first album over 11 years.\u003c\/p\u003e\n\u003cdiv\u003e\n\u003cp\u003e\u003cstrong\u003eSee below for tracklisting…\u003c\/strong\u003e\u003c\/p\u003e\n\u003c\/div\u003e\n","brand":"VIRGIN","offers":[{"title":"Default Title","offer_id":41685518581921,"sku":"16354","price":23.99,"currency_code":"EUR","in_stock":false}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/products\/Kings-Of-Convenience_-_Quiet-Is-The-New-Loud_9796ea61-bbcc-4486-ba72-c5235ef0381c.jpg?v=1646759856"},{"product_id":"markus-floats-fourth-album-art-edition-lp-180g-vinyl","title":"MARKUS FLOATS - Fourth Album (Art Edition) - LP - 180g Vinyl [OCT 20]","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\" mce-data-marked=\"1\"\u003e\u003cstrong\u003eLP - 180g Black Vinyl. Art Edition in 350gsm Arktika jacket w\/inside colour flood +300gsm Arktika inner + two 12\"x24\" art print posters + DL card \u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003eThe Montréal-based avant-garde electronic composer\/producer follows up his acclaimed \u003cem\u003eThird Album\u003c\/em\u003e, rallying players from local improv group \u003cstrong\u003eEgyptian Cotton Arkestra\u003c\/strong\u003e to add new electroacoustic materiality to his abstract soul.\u003cbr\u003e\u003cbr\u003eThe follow-up to his acclaimed \u003cstrong\u003eConstellation\u003c\/strong\u003e debut \u003cem\u003eThird Album\u003c\/em\u003e released in lockdown spring 2020, \u003cstrong\u003eMarkus Floats\u003c\/strong\u003e returns with \u003cem\u003eFourth Album\u003c\/em\u003e, pushing the Montréal-based artist’s distinct abstract electronic compositions into newly evocative terrain (while preserving his record- titling literalism). Faced with another couple of years spent unexpectedly, though not unfamiliarly, secluded and studio-bound, working on both paintings and music, \u003cem\u003eFloats\u003c\/em\u003e emerged by the end of 2022 with a set of tracks “about 60% finished” and a determined desire to throw off the shackles of distancing and isolation. “I had always thought about Markus Floats as a solo project but I am wrong about that. \u003cem\u003eFourth Album\u003c\/em\u003e is about asking for help, inviting in, and making a home. It’s about trust, exploration, and the effort of letting go.”\u003cbr\u003e\u003cbr\u003eSharing his in-progress recordings with a trio of close friends and collaborators from the powerhouse free music ensemble Egyptian Cotton Arkestra, each of these players then spent a day improvising to the tracks at Montréal’s Hotel2Tango studio. With violin by \u003cstrong\u003eAri Swan\u003c\/strong\u003e, saxophone and mbira by \u003cstrong\u003eJames Goddard\u003c\/strong\u003e, and guitar and drums by \u003cstrong\u003eLucas Huang\u003c\/strong\u003e, \u003cem\u003eFloats\u003c\/em\u003e stitched their extemporized instruments back into his compositional process. The result is a fluid, lustrous, dynamic expansion of his sound and structure that continues to strike the ineffable balance of abstraction and soulfulness rightly highlighted and celebrated in the critical response to Third Album. \u003cem\u003eFourth Album\u003c\/em\u003e sustains much of that previous work’s enchanting equanimity, while inviting a bit more restlessness, accident and grit, with the incorporation of acoustic instruments and improvisation melding \u003cem\u003eFloats\u003c\/em\u003e’ own background in Electroacoustic Studies and Jazz Performance more than ever before.\u003cbr\u003e\u003cbr\u003eSignature avant-electronic explorations of arpeggiated and timbral transformation, subtle shifts in harmonic consonance and dissonance, and a through-composed praxis that draws coterminously upon free jazz, musique concrète and modern Minimalism, all continue to shape Fourth Album to great effect. 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The album’s final track samples the poet and activist Fred Moten, closing with these words: “What we’ve been trying to figure out how to get to is how we are when we get together to try to figure it out.” This koan of socially-engaged process and creation\/advancement of meaning through praxis and immanence reflects the unique fusion of intangible materiality and affective sensibility at work in Markus Floats music, unfolding in new depths and currents with \u003cem\u003eFourth Album\u003c\/em\u003e.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e1. Introduction\u003cbr\u003e2. Death\u003cbr\u003e3. Free Wifi\u003cbr\u003e4. AS ABOVE\u003cbr\u003e5. Interlude\u003cbr\u003e6. Death (pt.2)\u003cbr\u003e7. mdhvn\u003cbr\u003e8. SO BELOW\u003cbr\u003e9. Heaven Is Each Other\u003cbr\u003e10. Second Introduction\u003cbr\u003e11. Wands\u003cbr\u003e12. 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The definitive string quartet version of '\u003cem\u003eLong Gradus\u003c\/em\u003e' is available as a 2LP and CD, and the collection of all four arrangements (strings, woodwinds, brass \u0026amp; organ, choir \u0026amp; electronics) is presented as the '\u003cem\u003eLong Gradus: Arrangements\u003c\/em\u003e' 4CD set.\u003cbr\u003e\u003cbr\u003e'\u003cem\u003eLong Gradus\u003c\/em\u003e' began in 2020 when \u003cstrong\u003eSarah Davachi\u003c\/strong\u003e was selected to participate in \u003cstrong\u003eQuatuor Bozzini\u003c\/strong\u003e’s Composer’s Kitchen residency, which was to be a joint production with \u003cstrong\u003eGaudeamus Muziekweek\u003c\/strong\u003e in the Netherlands. With the postponement of the residency to the following year, the composer was given the opportunity to take a step back and look at the piece over a much longer period of time than would have ordinarily been possible. 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Even now, when I compose work for chamber ensembles, I typically always start from a recorded version or from a demo – from the sound itself – and then work backwards to generate the score that will result in that music. It seems to be a vestige of conservatory thinking to view music performance, even in relation to new music, as a kind of reading of notes on the page that simply results in things just falling into place as expected. But, when the music goes beyond what’s on the page to include a dialogue with the acoustic space of the performance, and to require a certain patience and concentration on part of the performers, there needs to be a different approach; the Composer’s Kitchen residency offered that respect and curiosity.”\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e2LP Tracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003eA. Long Gradus (strings): Part 1\u003cbr\u003eB. Long Gradus (strings): Part 2\u003c\/p\u003e\n\u003cp\u003eC. 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As a long-time lover of Arthur’s work, Peter immediately accepted the invitation and began to learn a collection of Russell songs. Stolberg put together a band of Danish musicians to join Broderick on stage, and the festival performance went off without a hitch.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eImmediately after, Peter starting receiving invitations from other festivals, asking for the same thing — a full set of Arthur Russell songs. Even Arthur’s long-time partner \u003cstrong\u003eTom Lee\u003c\/strong\u003e took notice of these performances of Arthur’s work, and reached out to Peter personally. It wasn’t long before Broderick was invited to examine some of Russell’s archival work, and asked to do audio restoration work on the old tapes.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003ePeter’s strong love for Arthur’s work grew exponentially as he dove into the psyche of his hero, listening to hours and hours of unreleased material. He discovered that some of his favorite Russell songs have yet to be heard by the masses, and felt inspired to learn some of these tunes himself.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eIt was inevitable that Peter would record an album of his own renditions of Arthur’s songs. And there was no better place to do it than the state of Maine, where most of Arthur’s surviving family are based, and where Broderick himself was born back in 1987. 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They were recorded on Atkinson’s phone, which was placed next to the keys, or behind her, with the sound of the room bleeding through to give a sense of the place and time of the encounter. She describes these sessions as meetings where she and the piano commune to co-create these spiraling phrases and vaporous dissonances moment by moment. Complicating this dynamic is the presence of digital pianos, which exist in the surreal space of diodes and LED displays. They act as avatars of their three-dimensional counterparts: nowhere and everywhere simultaneously.\u003c\/p\u003e\n\u003cp\u003eStill, the inhabited world of people, water, and wind can be heard throughout Space as an instrument. 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