{"title":"Easter Sale Eggstravaganza!","description":null,"products":[{"product_id":"various-holland-dozier-holland-anthology-detroit-1969-1977-4lp-vinyl-box-set","title":"VARIOUS - Holland-Dozier-Holland Anthology: Detroit 1969 – 1977 (with 24-page booklet) - 4LP Vinyl Box Set","description":"\u003cp\u003e\u003cstrong\u003e\u003cspan style=\"color: #ff0000;\"\u003eLimited Edition 4LP Gatefold Sleeve Black Vinyl Set with 24-page booklet all housed in O ring sleeve (55 Tracks).  \u003c\/span\u003e\u003c\/strong\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e• The definitive post Motown collection of the legendary song writing trio \u003cstrong\u003eHolland Dozier Holland\u003c\/strong\u003e.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e• 55 tracks taken from the period 19691977 when the trio had started their group of labels; \u003cstrong\u003eHot Wax\u003c\/strong\u003e, \u003cstrong\u003eInvictus\u003c\/strong\u003e And \u003cstrong\u003eMusic Merchant\u003c\/strong\u003e.\u003cbr\u003e\u003cbr data-mce-fragment=\"1\"\u003e• Extensive liner notes by \u003cstrong\u003eStuart Cosgrove\u003c\/strong\u003e known for his award winning \u003cem\u003eSoul Trilogy Detroit 67: the Year That Changed Soul\u003c\/em\u003e, \u003cem\u003eMemphis 68: The Tragedy of Southern Soul\u003c\/em\u003e and \u003cem\u003eHarlem 69: the Future of Soul\u003c\/em\u003e. \u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eHolland, Dozier and Holland are arguably the greatest songwriters ever. More prolific than Lennon and McCartney, they shaped “the Sound of Young America” and propelled the \u003cstrong\u003eMotown\u003c\/strong\u003e sound in the mid 1960s into a creative stratosphere unmatched by any other independent music label. Their trademark catchy teenage love songs were delivered energetically by previously unknown Detroit groups like \u003cstrong\u003eThe Supremes\u003c\/strong\u003e, \u003cstrong\u003ethe Four Tops\u003c\/strong\u003e, \u003cstrong\u003eMartha \u0026amp; the Vandellas\u003c\/strong\u003e \u0026amp; \u003cstrong\u003eMarvin Gaye\u003c\/strong\u003e.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eAlthough synonymous with \u003cstrong\u003eBerry Gordy\u003c\/strong\u003e’s Motown, it was their departure from Motown after a stand off strike in 1967 and a brutal legal battle that led them to run their own group of labels, Invictus, Hot Wax and Music Merchant.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThis compilation is a definitive look at this period in history , exploring how H D H, under a new guise ‘\u003cem\u003eThe Creative Corporation\u003c\/em\u003e’, drove the next generation of soul music in a myriad of different ways, towards funk, underground disco and jazz . Featuring 55 tracks, this collection documents HDH’s creativity and growth over this seminal 8 year period. During this time the trio developed new artists to rival Motown’s success such as Chairman Of The Board, Freda Payne, Honey Cone, Glass House, Flaming Ember, 8th Day, Laura Lee \u0026amp; Eloise Laws.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe collection is complete with a detailed depiction of this period in history by award winning author Stuart Cosgrove who wrote the Soul Trilogy, a series of books on soul music and social change Detroit 67: the Year That Changed Soul, Memphis 68: The Tragedy of Southern Soul which won the Penderyn Prize, as Music Book of the Year in 2018, and Harlem 69: the Future of Soul. Stuart’s notes detail the relationship with Motown in the final days , the immediate fall out after the trio left Motown and the creation of the new labels Hot Wax, Invictus \u0026amp; Music Merchant. \u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003e4LP Tracklist (see Gallery also):\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLP1\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1969 to 1970\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Freda Payne - Band Of Gold (single mix)\u003cbr\u003e2. Chairmen Of The Board - Give Me Just A Little More Time\u003cbr\u003e3. Flaming Ember - Westbound #9\u003cbr\u003e4. Silent Majority - Frightened Girl\u003cbr\u003e5. Chairmen Of The Board - You've Got Me Dangling On A String\u003cbr\u003e6. Honey Cone - Girls It Ain't Easy\u003cbr\u003e7. Chairmen Of The Board - Pay To The Piper\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Chairmen Of The Board - Everything's Tuesday\u003cbr\u003e2. Freda Payne - Unhooked Generation\u003cbr\u003e3. Glass House - Crumbs Off The Table\u003cbr\u003e4. Chairmen Of The Board - All We Need Is Understanding\u003cbr\u003e5. Freda Payne - Deeper and Deeper\u003cbr\u003e6. 100 Proof Aged In Soul - Somebody's Been Sleeping\u003cbr\u003e7. Honey Cone - Want Ads\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLP2\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1971\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003e1. Freda Payne - Bring The Boys Home\u003cbr\u003e2. Barrino Brothers - I Shall Not Be Moved\u003cbr\u003e3. 8th Day - You've Got to Crawl (Before You Walk)\u003cbr\u003e4. Lucifer - Don't You (Think the Times A Comin')\u003cbr\u003e5. Honey Cone - Sunday Morning People\u003cbr\u003e6. Glass House - I Surrendered\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e1. Freda Payne - You Brought The Joy\u003cbr\u003e2. General Johnson - I'm In Love Darling\u003cbr\u003e3. Chairmen Of The Board - Working On a Building of Love\u003cbr\u003e4. Honey Cone - Stick Up\u003cbr\u003e5. 8th Day - She's Not Just Another Woman (single mix)\u003cbr\u003e6. Flaming Ember - Gotta Get Away\u003cbr\u003e7. 8th Day - Eeny Meeny Miny Mo\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLP3\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1972\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide E\u003c\/strong\u003e\u003cbr\u003e1. Holland Dozier Featuring Lamont Dozier - Why Can't We Be Lovers\u003cbr\u003e2. Chairmen Of The Board - Elmo James\u003cbr\u003e3. Silent Majority - Something New About You\u003cbr\u003e4. Barrino Brothers - Try It, You'll Like It\u003cbr\u003e5. Danny Woods - Let Me Ride\u003cbr\u003e6. Glass House - Thanks I Needed That\u003cbr\u003e7. Laura Lee - Crumbs Off The Table\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eSide F\u003c\/strong\u003e\u003cbr\u003e1. Warlock - You've Been My Rock\u003cbr\u003e2. Laura Lee - Woman's Love Rights\u003cbr\u003e3. Holland Dozier Ft Brain Holland - Don't Leave Me Starvin ’ for Your Love\u003cbr\u003e4. The Politicians - Free Your Mind\u003cbr\u003e5. Harrison Kennedy - Sunday Morning People\u003cbr\u003e6. Satisfaction Unlimited - Let's Change The Subject\u003cbr\u003e7. 100 Proof Aged In Soul - Nothing Sweeter Than Love\u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eLP4\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003e1973 to 1977\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide G\u003c\/strong\u003e\u003cbr\u003e1. Eloise Laws - Love Factory\u003cbr\u003e2. Freda Payne - We've Got To Find A Way Back To Love\u003cbr\u003e3. Brian Holland - I'm So Glad Pt.1\u003cbr\u003e4. Honey Cone - If I Can’t Fly\u003cbr\u003e5. 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This assembly of previously uncollected studio recordings and beautifully captured unreleased live performances forms a spacious ode to the flux that was their métier; a further set of reinventions that continue to alter the manner in which we hear music, and literally everything else!\u003c\/p\u003e\n\u003cp\u003eLike a bolt echoing back from the blue, \u003cem\u003eWe Have Dozens of Titles\u003c\/em\u003e restrikes the iron of Gastr del Sol, plunging the listener (that’s us!) back into the maelstrom of their all-too-brief (-but-ultimately-long-enough-to-change-everything-incisively) passage of 1993-1998 via an assembly of previously uncollected studio recordings and beautifully captured unreleased live material.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eGastr del Sol’s music was of the transformative variety – or was it transfiguration they were up to? Or transmigration? 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Following this, the lineup shifted again, decisively – Brown and McEntire departed to focus on the project to be known as \u003cstrong\u003eTortoise\u003c\/strong\u003e, and \u003cstrong\u003eJim O’Rourke\u003c\/strong\u003e arrived, pairing with Grubbs to make a sequence of unpredictable leaps across genre and practical approach alike, over three LPs and a pair of EPs that threatened the passage of musical time as we knew it in the mid-90s.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003e\u003cem\u003eWe Have Dozens of Titles\u003c\/em\u003e contains nearly an hour of previously unreleased live recordings, alongside another near-hour of studio recordings culled from previously uncollected singles, EPs, and compilations. 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While reviewing live tapes for this compilation, the studio versions of most things felt more and more definitive, with the exception of the live takes included here, which essay startling new qualities in pieces that have been in the public ear for several decades.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe majority of these live performances come from a miraculous find in the CBC archive – a broadcast-quality recording of Jim and David from the 1997 Festival International de Musique Actuelle de Victoriaville. This was the last time they performed together as Gastr del Sol, during which several still-gestating \u003cem\u003eCamoufleur\u003c\/em\u003e pieces were presented in radically different forms and Jim played organ on a track from David’s first solo album, the concert-closing, band closing (and now album-closing) version of \"Onion Orange”.\u003cbr data-mce-fragment=\"1\"\u003e\u003cbr data-mce-fragment=\"1\"\u003eThe studio recordings included were originally released by the \u003cstrong\u003eRed Hot Organization\u003c\/strong\u003e, \u003cstrong\u003eGod Mountain\u003c\/strong\u003e, \u003cstrong\u003eTable of the Elements\u003c\/strong\u003e, \u003cstrong\u003eSony Japan\u003c\/strong\u003e, \u003cstrong\u003eTeenbeat\u003c\/strong\u003e and \u003cstrong\u003eDrag City\u003c\/strong\u003e. 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Lung’s\u003c\/strong\u003e latest album. “We didn’t want it to sound live but we wanted to capture the excitement of the live performances.” \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThis is something that has become paramount to the group in recent years as they have undeniably blossomed into one of the most joyous and arresting live bands in the country. “The reason I’m in a band is to play live music,” says singer \u003cstrong\u003eJoe Evans\u003c\/strong\u003e. “For me, music is live music. That’s what it’s for, to be played with people.”\u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe five-piece band, also featuring \u003cstrong\u003eChris Mulligan, Hannah Peace, \u003c\/strong\u003eand \u003cstrong\u003eAlex Mercer-Main\u003c\/strong\u003e, decided to try something new on their third album after two incredibly successful collaborations with previous producer \u003cstrong\u003eMatt Peel\u003c\/strong\u003e. In order to capture the energy, spirit and dynamism of their live shows, they relocated to Sheffield to work with \u003cstrong\u003eRoss Orton\u003c\/strong\u003e (\u003cstrong\u003eMIA, Arctic Monkeys, Working Men’s Club\u003c\/strong\u003e) who was able to harness this side of the band to remarkable effect. “Ross is the Sheffield \u003cstrong\u003eSteve Albini\u003c\/strong\u003e,” says Evans. “He’s the king of not overthinking it and trusting the process of the art of recording songs. He was always there to stop us fucking around with cerebral stuff and get it down.” Sharkett echoes this too: “He was the exact producer we needed without us even realising. His productions and mixes are bombastic, lively and in your face and that’s exactly what we wanted.” \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eHowever, while this album is rooted in a sense of capturing a moment and a sparky liveness, that’s not to say it’s a raw or ragged record. It is still a meticulously composed, delicately layered and pristinely produced piece of work that, in true \u003cstrong\u003eW.H. Lung\u003c\/strong\u003e style, runs the gauntlet from dance to pop to indie while still capturing that distinctly unique quality that is unquestionably their own. “It was a really big thing for me to realise what made us sound like us on this record,” says Sharkett. “I think the album sounds a lot more confident and self assured because of it. Some songs sound just so much like Lung and I’m really proud of that. I’m not sure we’ve done that as consistently across the other records.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eWhile the band have drilled deeper into finding their own singular identity, it’s not a record resting on its laurels. It’s a significant leap forward, expanding on their solid foundations while also breaking new ground. “The big difference with this record is its directness in every sense,” says Sharkett. “The songwriting is more upfront. Previously we’d focused a lot on vibe and production as opposed to just writing songs. 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Then throw in Orton’s contributions to the band and it’s proven to be a real winning formula. “He brought a real dose of magic to the songs we’d written,” says Sharkett. “And brought an extra bit of wonk and quirkiness each time.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eSuch quirkiness is apparent from the opening ‘Lilac Sky’ which very briefly samples a learn to speak Spanish 12” before whirring atmospherics, hypnotic bass, and shimmering synths began to propel the song for launch. “I like it when there’s really clear punctuation at the start of a record,” says Sharkett. “It’s almost like a statement of intent and I wanted something like that, where if people knew the tune they could identify it within the first second.” \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt’s also the perfect album opener in more than one way, setting the tone for an album rooted in exploration. “I went out onto Hampstead Heath one day when it was dusk and the sky was mad and I’d just taken some mushrooms,” recalls Evans. “I was thinking: just remember this, this is how things really are. So maybe this track acts like an invocation or a calling for the rest of the album. It’s about listening closely, paying attention, and being overwhelmed with an open heart.” \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eOn ‘\u003cem\u003eBliss Bliss\u003c\/em\u003e’ the band almost veer into anthemic indie territory, with its rousing chorus, euphoric lashes of synths and a vocal delivery that is festival headline worthy. “I sang it like I was singing a song I’d forgotten from when I was a teenager,” says Evans of his impassioned performance. It was a fresh approach for the band. “I thought the guitars felt too college rock at first but I just went with it,” says Sharkett. “It’s a completely different style of guitar playing for me and something much more traditional in the indie world but I was enjoying that.” \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIn many ways this was another foundational song for the LP. “This was the first instance of us writing more traditional songs for the album,” says Sharkett. “It kind of embodies our balance between being a live conventional guitar band and the shiny, synthy side of Lung to me. It feels like the perfect culmination of our experience as a band so far.” \u003c\/span\u003e\u003cstrong\u003e\u003cspan style=\"color: rgb(255, 0, 0);\"\u003e\u003cspan style=\"color: rgb(0, 0, 0);\"\u003e\u003cb\u003e\u003c\/b\u003e\u003c\/span\u003e\u003c\/span\u003e\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eThe band’s ability to write more traditional and conventional songs is clearly a skill they’ve taken to with ease, at times there’s an almost Springsteen-like quality – but if he'd ever had an ecstasy period – to tracks such as ‘\u003cem\u003eThinner Wine\u003c\/em\u003e’ and ‘\u003cem\u003eBloom and Fade\u003c\/em\u003e’. While ‘\u003cem\u003eHow to Walk’\u003c\/em\u003e was constructed with one thing only in mind: that it would absolutely slay on stage. “I can’t wait to play this live,” says Evans. “We wanted a song to represent our live set, a new big one, and this is it.” Once again it leans towards the anthemic, with its driving, propulsive charge complete with incandescent synths and vocal melodies so irresistible you can already hear them being sung in unison by a crowd. \u003c\/span\u003e\u003c\/p\u003e\n\u003cp dir=\"ltr\"\u003e\u003cspan\u003eIt’s an incredibly difficult feat to pull off a record that is more rooted in traditional songcraft while also capturing the power of a live performance, as well as pushing sonics into experimental new directions while working with a brand new collaborator. 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Features updated monochrome and silver artwork.\u003c\/strong\u003e\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e1992’s ‘\u003cem\u003eUntitled\u003c\/em\u003e’ brought the band’s third album that re-cemented the duo once again as the progenitors of the “lo-fi” genre. This breakthrough set transitioned \"\u003cstrong\u003eThe Trux\u003c\/strong\u003e\" into a never ending all-inclusive rotating cast of musicians. 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Tina entered 1979 with the eclectic \u003cem\u003eLove Explosion\u003c\/em\u003e, a harmonious combination of upbeat rhythms, soulful melodies, and Tina’s ever-commanding vocals. The album allowed Tina to further pursue artistic freedom while maintaining her reputation as a dynamic and energetic performer. She worked with French disco pioneer \u003cstrong\u003eAlex R. Costandinos\u003c\/strong\u003e to compile funk and soul-inspired renditions of Patti LaBelle’s “\u003cem\u003eI See Home\u003c\/em\u003e” and \u003cstrong\u003eDusty Springfield\u003c\/strong\u003e’s “\u003cem\u003eJust a Little Lovin\u003c\/em\u003e’.\u003c\/p\u003e\n\u003cp\u003eTina has sold over 200 million records and has had ten UK top ten hit singles and nine UK top 10 albums and was the first female artist to have a top 40 hit in six consecutive decades in the UK. Her albums combined are 20x platinum in the UK and 9x platinum in the US whilst also achieving huge sales throughout the rest of the world. She has won eight Grammy Awards and been nominated for 25. She was inducted into the Rock \u0026amp; Roll Hall of Fame in 1991 as part of Ike \u0026amp; Tina Turner and again as a solo act in 2021, has stars on the Hollywood Walk Of Fame and St. Louis Walk of Fame. 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Beat Again  \u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e2. Everybody in Love\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e3. Keep You\u003cbr\u003e\u003c\/span\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e4. Crazy for You\u003c\/span\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e                        \u003cbr\u003e\u003cspan style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e1. 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Their success took audiences all over the world with massive hits such as “\u003cem\u003eSurrender\u003c\/em\u003e”, “\u003cem\u003eThe Flame\u003c\/em\u003e” and “\u003cem\u003eI Want You To Want Me\u003c\/em\u003e”.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eContents and Tracklist:\u003c\/strong\u003e \u003cbr\u003e\u003cbr\u003e\u003cstrong\u003eINCLUDES THE FOLLOWING ALBUMS:\u003c\/strong\u003e\u003cbr\u003eCheap Trick\u003cbr\u003eIn Color\u003cbr\u003eHeaven Tonight\u003cbr\u003eAt Budokan: The Complete Concert (2LP)\u003cbr\u003eDream Police\u003cbr\u003eFound All The Parts\u003cbr\u003eAll Shook Up\u003cbr\u003eOne On One\u003cbr\u003eNext Position Please\u003cbr\u003eStanding On The Edge\u003cbr\u003eThe Doctor\u003cbr\u003eLap Of Luxury\u003cbr\u003eBusted\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eCheap Trick\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Hot Love\u003c\/p\u003e\n\u003cp\u003e2. Speak Now or Forever Hold Your Peace\u003c\/p\u003e\n\u003cp\u003e3. He’s a Whore\u003c\/p\u003e\n\u003cp\u003e4. Mandocello\u003c\/p\u003e\n\u003cp\u003e5. The Ballad of TV Violence (I’m Not the Only Boy)\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. ELO Kiddies\u003c\/p\u003e\n\u003cp\u003e2. Daddy Should Have Stayed in High School\u003c\/p\u003e\n\u003cp\u003e3. Taxman, Mr. Thief\u003c\/p\u003e\n\u003cp\u003e4. Cry, Cry\u003c\/p\u003e\n\u003cp\u003e5. Oh, Candy\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eIn Color\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Hello There\u003c\/p\u003e\n\u003cp\u003e2. Big Eyes\u003c\/p\u003e\n\u003cp\u003e3. Downed\u003c\/p\u003e\n\u003cp\u003e4. I Want You to Want Me\u003c\/p\u003e\n\u003cp\u003e5. You’re All Talk\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Oh Caroline\u003c\/p\u003e\n\u003cp\u003e2. Clock Strikes Ten\u003c\/p\u003e\n\u003cp\u003e3. Southern Girls\u003c\/p\u003e\n\u003cp\u003e4. Come On, Come On\u003c\/p\u003e\n\u003cp\u003e5. So Good to See You\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eHeaven Tonight\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Surrender\u003c\/p\u003e\n\u003cp\u003e2. On Top of the World\u003c\/p\u003e\n\u003cp\u003e3. California Man\u003c\/p\u003e\n\u003cp\u003e4. High Roller\u003c\/p\u003e\n\u003cp\u003e5. Auf Wiedersehen\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Takin’Me Back\u003c\/p\u003e\n\u003cp\u003e2. On the Radio\u003c\/p\u003e\n\u003cp\u003e3. Heaven Tonight\u003c\/p\u003e\n\u003cp\u003e4. Stiff Competition\u003c\/p\u003e\n\u003cp\u003e5. How Are You?\u003c\/p\u003e\n\u003cp\u003e6. Oh Claire\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAt Budokan: The Complete Concert\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Hello There\u003c\/p\u003e\n\u003cp\u003e2. Come On, Come On\u003c\/p\u003e\n\u003cp\u003e3. Elo Kiddies\u003c\/p\u003e\n\u003cp\u003e4. Speak Now Or Forever Hold Your Peace\u003c\/p\u003e\n\u003cp\u003e5. Big Eyes\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Lookout\u003c\/p\u003e\n\u003cp\u003e2. Downed\u003c\/p\u003e\n\u003cp\u003e3. Can’t Hold On\u003c\/p\u003e\n\u003cp\u003e4. Oh Caroline\u003c\/p\u003e\n\u003cp\u003e5. Surrender\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE C\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Auf Wiedersehen\u003c\/p\u003e\n\u003cp\u003e2. Need Your Love\u003c\/p\u003e\n\u003cp\u003e3. High Roller\u003c\/p\u003e\n\u003cp\u003e4. Southern Girls\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE D\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. I Want You To Want Me\u003c\/p\u003e\n\u003cp\u003e2. California Man\u003c\/p\u003e\n\u003cp\u003e3. Goodnight\u003c\/p\u003e\n\u003cp\u003e4. Ain’t That A Shame\u003c\/p\u003e\n\u003cp\u003e5. Clock Strikes Ten\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eDream Police\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Dream Police\u003c\/p\u003e\n\u003cp\u003e2. Way of the World\u003c\/p\u003e\n\u003cp\u003e3. The House Is Rockin’ (With Domestic Problems)\u003c\/p\u003e\n\u003cp\u003e4. Gonna Raise Hell\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. I’ll Be with You Tonight\u003c\/p\u003e\n\u003cp\u003e2. Voices\u003c\/p\u003e\n\u003cp\u003e3. Writing on the Wall\u003c\/p\u003e\n\u003cp\u003e4. I Know What I Want\u003c\/p\u003e\n\u003cp\u003e5. Need Your Love\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFound All The Parts\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Day Tripper\u003c\/p\u003e\n\u003cp\u003e2. Can’t Hold On\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Such a Good Girl\u003c\/p\u003e\n\u003cp\u003e2. Take Me I’m Yours\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eAll Shook Up\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Stop This Game\u003c\/p\u003e\n\u003cp\u003e2. Just Got Back\u003c\/p\u003e\n\u003cp\u003e3. Baby Loves to Rock\u003c\/p\u003e\n\u003cp\u003e4. Can’t Stop It But I’m Gonna Try\u003c\/p\u003e\n\u003cp\u003e5. World’s Greatest Lover\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. High Priest of Rhythmic Noise\u003c\/p\u003e\n\u003cp\u003e2. Love Comes a-Tumblin’ Down\u003c\/p\u003e\n\u003cp\u003e3. I Love You Honey but I Hate Your Friends\u003c\/p\u003e\n\u003cp\u003e4. Go for the Throat (Use Your Own Imagination)\u003c\/p\u003e\n\u003cp\u003e5. Who D’King\u003cbr\u003e\u003cbr\u003e\u003cstrong style=\"font-family: -apple-system, BlinkMacSystemFont, 'San Francisco', 'Segoe UI', Roboto, 'Helvetica Neue', sans-serif; font-size: 0.875rem;\"\u003e\u003cbr\u003eOne On One\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. I Want You\u003c\/p\u003e\n\u003cp\u003e2. One On One\u003c\/p\u003e\n\u003cp\u003e3. If You Want My Love\u003c\/p\u003e\n\u003cp\u003e4. Oo La La La\u003c\/p\u003e\n\u003cp\u003e5. Lookin’ Out For Number One\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. She’s Tight\u003c\/p\u003e\n\u003cp\u003e2. Time Is Runnin’\u003c\/p\u003e\n\u003cp\u003e3. Saturday At Midnight\u003c\/p\u003e\n\u003cp\u003e4. Love’s Got A Hold On Me\u003c\/p\u003e\n\u003cp\u003e5. I Want Be Man\u003c\/p\u003e\n\u003cp\u003e6. Four Letter Word\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eNext Position Please\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. I Can’t Take It\u003c\/p\u003e\n\u003cp\u003e2. Borderline\u003c\/p\u003e\n\u003cp\u003e3. I Don’t Love Here Anymore\u003c\/p\u003e\n\u003cp\u003e4. Next Position Please\u003c\/p\u003e\n\u003cp\u003e5. Younger Girls\u003c\/p\u003e\n\u003cp\u003e6. Dancing The Night Away\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. 3-D\u003c\/p\u003e\n\u003cp\u003e2. You Say Jump\u003c\/p\u003e\n\u003cp\u003e3. Y.O.Y.O.Y.\u003c\/p\u003e\n\u003cp\u003e4. Won’t Take No For An Answer\u003c\/p\u003e\n\u003cp\u003e5. Heaven’s Falling\u003c\/p\u003e\n\u003cp\u003e6. Invaders Of The Heart\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStanding On The Edge\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Little Sister\u003c\/p\u003e\n\u003cp\u003e2. Tonight It’s You\u003c\/p\u003e\n\u003cp\u003e3. She’s Got Motion\u003c\/p\u003e\n\u003cp\u003e4. Love Comes\u003c\/p\u003e\n\u003cp\u003e5. How About You\u003c\/p\u003e\n\u003cp\u003e \u003c\/p\u003e\n\u003cp\u003eSIDE B\u003c\/p\u003e\n\u003cp\u003e1. Standing On the Edge\u003c\/p\u003e\n\u003cp\u003e2. This Time Around\u003c\/p\u003e\n\u003cp\u003e3. Rock All Night\u003c\/p\u003e\n\u003cp\u003e4. Cover Girl\u003c\/p\u003e\n\u003cp\u003e5. Wild Wild Women\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eThe Doctor\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. It’s Up to You\u003c\/p\u003e\n\u003cp\u003e2. Rearview Mirror Romance\u003c\/p\u003e\n\u003cp\u003e3. The Doctor\u003c\/p\u003e\n\u003cp\u003e4. Are You Lonely Tonight\u003c\/p\u003e\n\u003cp\u003e5. Name of the Game\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE B\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Kiss Me Red\u003c\/p\u003e\n\u003cp\u003e2. Take Me to the Top\u003c\/p\u003e\n\u003cp\u003e3. Good Girls Go to Heaven (Bad Girls Go Everywhere)\u003c\/p\u003e\n\u003cp\u003e4. Man-u-lip-u-lator\u003c\/p\u003e\n\u003cp\u003e5. It’s Only Love\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLap Of Luxury\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSIDE A\u003c\/strong\u003e\u003c\/p\u003e\n\u003cp\u003e1. Let Go\u003c\/p\u003e\n\u003cp\u003e2. No Mercy\u003c\/p\u003e\n\u003cp\u003e3. The Flame\u003c\/p\u003e\n\u003cp\u003e4. Space\u003c\/p\u003e\n\u003cp\u003e5. 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I’m Not Hungry Anymore (Unreleased)\u003c\/p\u003e","brand":"Atlantic","offers":[{"title":"Default Title","offer_id":54405031166297,"sku":"M","price":23.99,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0588\/3455\/0945\/files\/Marina_And_The_Diamonds_-_Froot_10th_AnniversaryEdition__-_2LP_Red_EcoRecord_-_2025_Reissue.jpg?v=1743604909"},{"product_id":"bruce-springsteen-tracks-ii-the-lost-albums-9lp-black-vinyl-box-set","title":"BRUCE SPRINGSTEEN - Tracks II: The Lost Albums - 9LP - Black Vinyl Box Set","description":"\u003cp\u003e\u003cspan style=\"color: #ff0000;\"\u003e\u003cstrong\u003e9LP - Limited Edition Black Vinyl Box Set consisting of \u003cmeta charset=\"utf-8\"\u003eseven unheard Bruce Springsteen records made between 1983–2018 and \u003cmeta charset=\"utf-8\"\u003efeaturing 82 previously unreleased songs and a \u003cmeta charset=\"utf-8\"\u003e100-page cloth-bound, hardcover book featuring rare archival photos, liner notes on each lost album from essayist Erik Flannigan and a personal introduction on the project from Springsteen himself.\u003c\/strong\u003e\u003c\/span\u003e\u003cbr\u003e\u003cbr\u003e\u003cem\u003eTRACKS II: THE LOST ALBUMS\u003c\/em\u003e are seven unheard \u003cstrong\u003eBruce Springsteen\u003c\/strong\u003e records made between 1983–2018.\u003cbr\u003e \u003cbr\u003eFeaturing 82 previously unreleased songs, \u003cem\u003eThe Lost Albums\u003c\/em\u003e fill in chapters of Springsteen’s expansive career timeline, while offering invaluable insight into his life and work as an artist. “The Lost Albums were full records, some of them even to the point of being mixed and not released,” said Springsteen. “I’ve played this music to myself and often close friends for years now. I’m glad you’ll get a chance to finally hear them. I hope you enjoy them.” \u003cbr\u003e \u003cbr\u003eFrom the lo-fi exploration of LA Garage Sessions ’83, serving as a crucial link between \u003cem\u003eNebraska\u003c\/em\u003e and \u003cem\u003eBorn in the U.S.A.\u003c\/em\u003e, to the drum loop and synthesizer sounds of Streets of Philadelphia Sessions, \u003cem\u003eThe Lost Album\u003c\/em\u003es offer unprecedented context to 35 prolific years of Springsteen’s songwriting and home recording. “The ability to record at home whenever I wanted allowed me to go into a wide variety of different musical directions,” Springsteen explained. Throughout the set, that sonic experimentation takes the form of film soundtrack work (for a movie that was never made) on \u003cem\u003eFaithless\u003c\/em\u003e, country combos with pedal steel on Somewhere North of Nashville, richly woven border tales on Inyo, orchestra-driven, mid-century noir on \u003cem\u003eTwilight Hours\u003c\/em\u003e and E Street favoured rock on \u003cem\u003ePerfect World\u003c\/em\u003e.\u003cbr\u003e \u003cbr\u003e\u003cem\u003eThe Lost Albums\u003c\/em\u003e are available in limited-edition nine-LP and seven-CD formats,\u003cbr\u003eincluding original packaging for each previously unreleased record, with a 100-page\u003cbr\u003ecloth-bound, hardcover book featuring rare archival photos, liner notes on each lost\u003cbr\u003ealbum from essayist \u003cstrong\u003eErik Flannigan\u003c\/strong\u003e and a personal introduction on the project from\u003cbr\u003eSpringsteen himself.\u003cbr\u003e\u003cbr\u003e\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTracklist:\u003c\/strong\u003e \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eLA Garage Sessions ’83:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Follow That Dream\u003cbr\u003e2. Don’t Back Down On Our Love\u003cbr\u003e3. Little Girl Like You\u003cbr\u003e4. Johnny Bye Bye\u003cbr\u003e5. Sugarland\u003cbr\u003e6. Seven Tears\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Fugitive’s Dream\u003cbr\u003e2. Black Mountain Ballad\u003cbr\u003e3. Jim Deer\u003cbr\u003e4. County Fair\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003e1. My Hometown\u003cbr\u003e2. One Love\u003cbr\u003e3. Don’t Back Down\u003cbr\u003e4. Richfield Whistle\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e1. The Klansman\u003cbr\u003e2. Unsatisfied Heart\u003cbr\u003e3. Shut Out The Light\u003cbr\u003e4. Fugitive’s Dream (Ballad)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eStreets of Philadelphia Sessions:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Blind Spot \u003cbr\u003e2. Maybe I Don’t Know You\u003cbr\u003e3. Something In The Well \u003cbr\u003e4. Waiting On The End Of The World\u003cbr\u003e5. The Little Things \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. We Fell Down \u003cbr\u003e2. One Beautiful Morning \u003cbr\u003e3. Between Heaven and Earth\u003cbr\u003e4. Secret Garden \u003cbr\u003e5. The Farewell Party \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eFaithless:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. The Desert (Instrumental)\u003cbr\u003e2. Where You Going, Where You From\u003cbr\u003e3. Faithless\u003cbr\u003e4. All God’s Children\u003cbr\u003e5. A Prayer By The River (Instrumental)\u003cbr\u003e6. God Sent You\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Goin’ To California\u003cbr\u003e2. The Western Sea (Instrumental)\u003cbr\u003e3. My Master’s Hand\u003cbr\u003e4. Let Me Ride\u003cbr\u003e5. My Master’s Hand (Theme)\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSomewhere North Of Nashville:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Repo Man\u003cbr\u003e2. Tiger Rose \u003cbr\u003e3. Poor Side of Town \u003cbr\u003e4. Delivery Man \u003cbr\u003e5. Under A Big Sky \u003cbr\u003e6. Detail Man \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Silver Mountain \u003cbr\u003e2. Janey Don’t You Lose Heart \u003cbr\u003e3. You’re Gonna Miss Me When I’m Gone \u003cbr\u003e4. Stand On It\u003cbr\u003e5. Blue Highway\u003cbr\u003e6. Somewhere North of Nashville \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eInyo:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Inyo \u003cbr\u003e2. Indian Town \u003cbr\u003e3. Adelita \u003cbr\u003e4. The Aztec Dance \u003cbr\u003e5. The Lost Charro\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Our Lady of Monroe \u003cbr\u003e2. El Jardinero (Upon the Death of Ramona) \u003cbr\u003e3. One False Move\u003cbr\u003e4. Ciudad Juárez \u003cbr\u003e5. When I Build My Beautiful House \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eTwilight Hours:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. Sunday Love\u003cbr\u003e2. Late in the Evening \u003cbr\u003e3. Two of Us \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Lonely Town \u003cbr\u003e2. September Kisses \u003cbr\u003e3. Twilight Hours \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide C\u003c\/strong\u003e\u003cbr\u003e1. I’ll Stand By You\u003cbr\u003e2. High Sierra \u003cbr\u003e3. Sunliner \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide D\u003c\/strong\u003e\u003cbr\u003e1. Another You \u003cbr\u003e2. Dinner at Eight \u003cbr\u003e3. Follow The Sun \u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003ePerfect World:\u003c\/strong\u003e\u003cbr\u003e\u003cstrong\u003eSide A\u003c\/strong\u003e\u003cbr\u003e1. I'm Not Sleeping\u003cbr\u003e2. Idiot’s Delight\u003cbr\u003e3. Another Thin Line\u003cbr\u003e4. The Great Depression\u003cbr\u003e5. Blind Man\u003c\/p\u003e\n\u003cp\u003e\u003cstrong\u003eSide B\u003c\/strong\u003e\u003cbr\u003e1. Rain In The River\u003cbr\u003e2. If I Could Only Be Your Lover\u003cbr\u003e3. Cutting Knife\u003cbr\u003e4. You Lifted Me Up\u003cbr\u003e5. 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